INFOS : webzine@femmemetalwebzine.net
Webzine dedicated to the metal band fronted by girls. We also like ambient,darkwave,rock & electronic music.
Independent Release
Review by Tony Cannella

Rhode Island Red are a London, England based unit. Their self-titled debut has just been issued and it features 10-songs and 41-minutes worth of classic sounding hard rock, led by the soulful and quite expressive vocals of Lyla D’Souza. Musically, Rhode Island Red is a bit of a throwback to classic rock bands of the 70’s. Lyla D’Souza has a bit of a Bluesy quality to her voice. Their songs have been described as The Cult meets Garbage, and that is a fair assessment I suppose. The songs have a definite raw energy and power to them, but the band also has shown some great attention to the melodic end of the spectrum. Highlights include: “Kerosene”, “Slip Away”, “Over & Over” and the acoustically ballad “Fate Insists” which closes the CD. With their debut album, Rhode Island Red has released a strong rock record that pays homage to a bygone era, while still keeping their feet planted firmly in the present.
Rating – 78/100
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Independent Release
Review By Tony Cannella

From France, Ellyose plays dark, symphonic metal with elements of electronic and other modern music influences on display. The band, fronted by Justine Daaé has just issued their excellent debut demo “Théogyne”. The hard-driving opener “Théogyne” gets the ball rolling and sets a positive tempo for what is to follow. The next track “L’émancipee” has a strong orchestral vibe to it at the beginning and quickly developes into a dramatic metal tune that showcases the passionate operatic vocals of Justine Daaé. Most of the lyrics are sung in Ellyose’s native French and the album features some interesting twists and turns throughout the half hours worth of music on “Théogyne”. The 8-minute “Wine from Sick” begins with piano and is a melonchic mournful track that quickens in tempo as the song progresses, this song quickly became a huge favorite; some extreme male vocals are also present here. “Elévation Binaire” and “Mirri Dancers” are two more highlights. The album closes with a cover of the Andrew Lloyd Weber classic “The Phantom of Opera”. Ellyose are another great band to hail from France. “Théogyne” is a strong metal album that really sets a high standard for Ellyose.
Rating – 89/100
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Independent Release
Review by Erwin van Dijk

No Rating
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Label: Catacomb Records
Review by Tony Cannella

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Independent Release
Review by Tony Cannella

Sweden’s Aftermath has been in existence since 2007. In 2008 they released their full-length debut (and to date, only release) “Tides of Sorrow”. For a ‘full-length’, “Tides of Sorrow” clocks in at only 36-minutes long, so there isn’t much time wasted in the 9-songs that are provided here. On “Tides of Sorrow” Aftermath proves that they are proficient in good symphonic metal as these 9-songs can attest to. The dramatic opening intro “The Calm Before the Storm”, segues into the up-tempo “Broken Wings”. American Vocalist Meliesa McDonnell has a cool style that is similar to Anette Olzon of Nightwish. Most of the songs are high tempo and up-beat in style. Some extreme male vocals are also used on the more aggressive songs, like “White Swan” and “9;2”. The instrumental “Symphony of Death” has a great orchestral atmosphere running through it. The album is completed with the excellent “Tides of Sorrow” and the outro “Aftermath”. Since “Tides of Sorrow” was released, Aftermath has changed the name of the band to the interesting moniker Lapis Lazuli. They have also undergone a major line-up change, replacing vocalist Meliesa McDonell with fellow Swede Frida Eurenius. Hopefully their next recorded output will continue to expand on the groundwork that “Tides of Sorrow” began.
Rating - 85/100
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