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Webzine dedicated to the metal band fronted by girls. We also like ambient,darkwave,rock & electronic music.
After some important line up changes Franch Melodic metal band VENTURIA are back with their third album “Dawn of a New Era” that was released on 20 12 via Lion Music Record Label. The main vocals are provided by Lydie Lazulli “but she is occasionally joined by male vocalist [ and guitarist] Charly Sahona”. Wrapping up, ““Dawn of a New Era” is a satisfying release” that it is recommend for the lovers of this genre.
Let’s stay close and from Ukraine now we go to Russia always under the same label (Solitude Productions) with the debut of the Atmospheric Gothic Doom metal band AUT MORI called “Первая Слёза Осени” (“Pervaya Slyoza Oseni” – “The First Tears of Autumn”). This bands features in its ranks three former members of Auto-De -Fe and this album was mastered by Jerry Torstensson that figures here as the guest drummer too. Also the album sees the guest starring by Olof Gothlin, responsible for the violins on Draconian’s “A Rose for the Apocalypse”. Our dear reviewer Vard Aman this time nailed an ace review rating it 92 out of 100; as Vard states “If you like Doom Metal, especially the melancholic atmospheric side of Doom Metal, then your collection simply would not be complete without this album in it.” - so you love Draconian and this side of the Doom Metal? Make it yours but before read the review @ /(via Aut Mori – “Первая Слёза Осени” (“Pervaya Slyoza Oseni” – “The First Tears of Autumn”) (2012) « Femme Metal Webzine)
Label : Psychonaut Records
Review by Luisa Mercier
The Gathering is a band that has got all of the fans quite used to change, evolution from album to album and “Disclosure” makes no exception. After the atmospheric, liquid sounds in “Home”, the catchy, classy rock of “The West Pole” (and the introduction of new singer Silje Wergeland), the Dutch combo is back with an eerie, downtempo, psychedelic record that reminded me of Slowdive and all that music populating the lands of electronic/darkwave/ambient. Guitars have not been forgotten, but they have no a major role in the album. “Disclosure” is opened by “Paper Waves”, a mid-tempo in which electronic and rock mingle creating a lush sound and Silje’s vocals are soft, emotional, a bit melancholic, though not sad. The already known “Meltdown” follows. The opening always reminds me of Muse and alternative/indie rock in general. Male vocals appear (courtesy of ) and the song goes on til it becomes more uptempo and in it has that progressive feeling to it without sounding boring. Silje is fascinating in the bridge, only backed by electronica and a few instruments. And here you are one of my favourite: “Paralyzed” opened by strings and electronic plus sexy Silje. It is a slow, sweet ballad where synths cradle us as sea waves, soft, hypnotic, absolutely oustanding. “Heroes for Ghosts” was releases more than a year ago with a nice video, so most of us already knows the song by heart. It is a long piece where Silje’s vocals shine, especially in the chorus, the music is more an accompaniment, never too intrusive. “Gemini I” is maybe the rockiest of all the songs, the riffs recall those of older works such as “Nighttime Birds” as long as the overall atmosphere. A track that nostalgic fans will appreciate. Back to atmospheric sound in “Missing Season”, another slow song full of melancholic longing but with a pinch of hope. “I Can See Four Miles” is another beautiful highlight (well, the whole album is full of stars, these just stand out a little bit more). As “Paralyzed”, the song is eerie, embraces the listener til half when it becomes more rock, well more post-rock maybe, with strings in the background. The songs finishes after this long instrumental that is connected to “Gemini II”. Unlike part I, this second section is slow-paced, quiet with a strange final part where far away sounds echo, like pipes in the wind. What can I say more? The Gathering never made an album that was similar to the previous one, they always try different things and manage to stay interesting, never boring and catchy. Another masterpiece.
Rating - 90/100
Label : Underground Symphony
Review by Tony Cannella
The veteran Italian Melodic power metal band Skylark returns with their ninth album. It is hard to believe that this band has been around this long, but since their inception Skylark has maintained a certain level of consistency that their fan base has come to love. Skylark also returns with a new singer. She is an American named Ashley Watson and she makes her debut on their new album “Twilights of Sand”. Skylark is primarily known for their conceptual “Divine Gates Trilogy”, and “Twilights of Sand” has some of the same traits that “Divine Gates” had. The new lead vocalist Ashley Watson fits in quite well with the rest of the band. She’s got a likeable voice and she would not sound out of place singing in a pop band, but she also handles the heavier material quite well. In addition to Ashley, there are also a number of male vocalists who takes part as well as some other female vocalists – it really would have been helpful to have a bio sheet, because it is hard to decipher who sings what but I am pretty sure Ashley Watson handles the bulk of the female vocals. The intro track “The Tears of Jupiter” kicks things off and leads us into “The Princess and Belzebú”. This is an ok song, but I am not sure if I like the male vocals here. The female vocals are good but the male seems a bit out of place. Other than that it is a pretty up-tempo song. “She” is next and has a pounding classic power metal vibe. The next track “Love Song” is really not a love song (in fact the chorus says “This is not a love song”) and it has a really fast tempo to it and is one of my favorites. There is some other pretty cool material on here like “Tears”, “Lions Are the World” and “The Wings of the Typhoon”. Another one of my favorites instantly became “Aitakatta” I have no idea what the title means, but it is such a departure from the rest of the album. It has a fast up-tempo, bouncy and happy vibe to it. The epic 10-minute track “Little Girl” concludes this album which clocks in at almost 80-minutes. “Little Girl” features the best of the male vocals on this album in my opinion and has a classic rock feel to it. The limited edition comes with a bonus CD featuring alternative, unreleased and different takes on some of the material. Skylark has already become a hit in Japan. Let’s hope that the rest of the world will give this band a chance too.
Rating - 78/100
Disc 2 (Limited Edition)
Label : Massacre Records
Review by Danny Robertson
VOD’s press release for “Power Dive” describes them as having a sound somewhere between gothic and symphonic metal, and it’s not wrong; at times sounding like a heavier Nightwish, or during their more restrained moments sounding reminiscent of Within Temptation, but without sounding like a cheap copy of any act within those genres. Their combination of sounds gels together well without sounding forced - the keyboards don’t overpower the rest of the instruments, whilst the guitarwork is especially impressive, epic without being pompous or gratuitous, and Maike’s vocals work well with the instruments rather than relegating them to the background, thus avoiding the pitfalls others within the genre occasionally find themselves in. Tracks such as the title song and “Dedication” show off their more operatic side, whilst standout track “Kami” is a nice demonstration of the band’s range in a single song, with some heavy riffing throughout. Voices of Destiny have delivered a strong second album here, one that should see them win new fans in further territories. If you’re fan of big, bold, unashamedly epic metal, then try this album out!
Rating - 80/100
Interview by Matteo Bussotti
As soon as their new album, “Power Dive”, came out, we had to ask Voices of Destiny’s singer, Maike, what’s behind this album, the creative process behind it. She was very nice and answered politely to all our question, making Voices’ style and history clearer. So, let’s take a “Power Dive” into their new album and this interview!
First of all, have you ever been to Italy? And if you have, what differences have you found from your homeland?
Yes I’ve been to Italy many times but only on holidays with my family when I was a child. Of course a big difference is the climate, the beach and the sea Italy has. I also liked the temper of Italian people a lot.
What was, in your opinion, the best country you’ve ever been, especially while touring with Voices? How one country differs from the others?
Well, that’s very difficult for me. We’ve just been on tour through some countries in eastern Europe by now and we had great experiences everywhere. I liked it very much to play in Budapest (Hungary), where the people were remarkable friendly and generous. We could visit the city as well and it was a great day there. Besides touring I love Ireland and Wales a lot. There the people are so hospitably and the landscape is beautiful.
Let’s talk about “Power Dive”: what do you think is the strongest point of your second album?
I like to listen to the album as a whole artwork, but there are some songs I listen to more often. For me that’s “Power Dive”, “The Untouchable” and “Your Hands” at the moment. I like the structure of these songs, the way I could interpret the lyrics and the heavy parts in it.
How do you think you’ve changed, as a band, but also you as a solo, from your first album “From the Ashes”?
All in all the album is much more aggressive and there are more strong feelings to be found I’d say. We decided to reduce the orchestral elements a little bit and give more room to the guitar and the growls. For my person I think I improved in expressing the feelings that I have about the songs.
Looking at the future, in what ways you think you can evolve, what do you think you can improve?
I’m still young and I think I can improve in many ways. I’d like to get even more volume and hope to improve my breathing technique as well. As band I hope we can play some more live shows to get more confident on stage.
There are bands which really struggle themselves to give the best during concerts, making every one of them a unique experience. On the other hand, there are bands which see concerts only as a “showcase” of their songs, like “These are our songs, we are great and powerful. Now go buy our cds.”. What’s your point of view? What do you think about concerts? Do you try to give your fans a unique experience, maybe delivering some sort of message?
That’s a very good question, thank you for that. Well, we’ve just been on tour and for me it should always be the goal to make the audience happy and give them a good time during your show. We always have a great time on stage and I hope the people realize that. I feel happy when the audience seems to like the performance or when I see people singing along. But what I like most about concerts is to get in touch with the fans afterwards. I really enjoyed talking to different people from several cities and get to know them. For me it’s very important to keep in touch with the fans and not just think of them as (potential) consumers.
Is there any crazy thing you’ve done, or you’d like to do, during a concert?
Not until now. But you never know what the future brings ;-)
You are very into social networks, in fact, on your band’s website are linked you facebook, twitter and youtube pages. What’s your opinion about them, and the opportunity they give the fans to interact with the artists?
For us it’s a great opportunity to stay in touch with our fans and to spread our music all over the world. We all like it to get to know bands we listen to and therefore we want to enable our fans to get to know us and our music as well.
If you had to describe the other members of Voices in…let’s say 30 words, how’d you describe them?
Chris is our idealist and organizer, Jens is the critical one and cares for the finances and Lukas is the genial musician. All of them are very crazy and funny and some of my best friends. (Sorry, now there are 36 words ;-))
Who you usually writes the lyrics in the band?
Most of the songs and therefore the lyrics are written by Lukas, two songs on “Power Dive” were written by Chris.
Is there some particular theme you’d like to sing about in your songs? What’s your favorite song you’ve written so far?
No there is no special theme that occurs over and over again, but most of the songs deal with daily problems and often the lyrics are about interpersonal relations.
Last but not least…is there something special you’re looking forward to in the next few months?
Yes we will start to work on new material in summer. We all are very excited about what comes next.
Label : AFM Records
Review by Tony Cannella
Fans of Progressive Power Metal rejoice! The new project from Virus IV guitarist Samuel Arkan is here and he is joined by an outstanding array of talented musicians for the debut of Epysode titled “Obsessions”. For 14-songs, totaling about an hour’s worth of music, the listener is drawn into a conceptual story (which sounds like it would make a killer movie) with each singer playing a role as the story unfolds throughout the album. After the opening intro of “File 4180-1” the next track “Silences of Dawn (Poetry)” is a beautiful minute-and-a-half piano peace featuring the vocals of Valentine and Dial frontwoman Liselotte Hegt as this segues into the majestic “First Blood”. This is a multi-faceted dramatic track featuring some cool interplay between all of the vocalists on the album, Kelly Sundown Carpenter (Beyond Twilight), Oddleif Stensland (Communic), Magali Luyten (Virus IV), Hegt and Rick Altzi (At Vance, Thunderstone) all turn in epic performances. From there the album moves forward with a lot of momentum on the equally awesome “Obsessions” featuring some more great vocal work performed by Carpenter and Luyten. “Invisible Nations” is next and features a melodic up-tempo atmosphere with Carpenter and Altzi once again taking the lead role in the vocal department. I must say, the chemistry between the two is breathtaking. This song also includes a pretty cool prog rock style keyboard section in the middle. The next track “Gemini Syndrome” – with Liselotte Hegt and Kelly Sundown taking the lead – is a beautiful piano dominated ballad that allows the listener to catch their breath before the crushing riff of “Fallen’s Portrait” should get those heads banging once again. Other highlights: “Season of Redemption”, “The Other Side”, “One Chance” , “Divine Whispers” but I could on. There is no doubt that Samuel Arkan from Virus IV is the creative force behind this project; he wrote the music, lyrics, story and produced, but he has also surrounded himself with some top-notch talent who also put their unique stamps on “Obsessions”. Doing a concept album on this grand a scale can be quite risky and the possibility exists that it could be viewed as hokey or cheesy, but thankfully Samuel Arkan and the rest of the stellar cast put a lot of care, effort and thought into Epysode. For a concept album this ambitious, “Obsessions” never comes off as overblown or overdone, it strikes the right balance between music and drama which is one of the best things about it.
Rating - 90/100
Interview by Lindz Riot
So many forms for femme metal exist, the most common being in symphonic or heavy metal. But what about straight up metal that just rocks? I’ve been searching high and low and when out at a local show recently I found Canadian rockers Embracing Soul. Fronted by singer Chelsea Pisano and guitarist Brandon Iajecznyk, though this band may be young, they bring the energy and the old school spirit of a metal/rock infusion. Also, it’s just fun and a guilty pleasure to dip back into music that heals and fuels teen angst. Of which, this band brings forth that feeling well and honestly, especially in their recent EP “Shadow”. I (Lindz Riot) was able to catch up with this local act to ask them what Embracing Soul is all about and how it works for them at such an early stage in their musical lives.
Hey guys! I want to thank you both for joining us here at Femme Metal for this interview. First off please tell me about how Embracing Soul came to be?
Thanks for this opportunity! Well, Brandon and I met in 2007 at our high school. Brandon was already in a band playing metal that sounded kind of like Trivium and As I Lay Dying. They broke up at the end of 2008, he joined another band, and we decided to create a side project. We created it because we had all these ideas of what we wanted new metal to sound like. Also because Brandon’s current band was very progressive and he had ideas that didn’t fit into that genre. A bit after we started writing and recording, we recruited a bassist and our guitarist Tom. Brandon was our drummer. Now, we still fight with member changes, and I’ve taken on the role of bassist, but we’ve found steady ground.
Sounds like quite the switch up, but glad to hear its working for you guys now. How would you describe Embracing Souls sound?
We’ve been trying to figure that out! hahaha. So many people tell us different things like our riffs sound like Pantera or Death, our vocals sound like a collaboration between Evanescence and Opeth, and our music sounds like a mix of death metal and melodic metal.
Brandon: It ends up just being a thing that we make, and it sounds cool and we like it.
Chelsea: I just go with ‘gothic, rock/metal’ and hope that works.
You’ve released your first LP “Shadow”, how has the response been?
We always sell more at each show, so it’s going well! It was finished January 2010 so we look at it now and knowing so much more about recording, we’re not as pleased, but we still love all the songs just as much.
So this release was a self-produced effort?
Yes. We produced it, we got the copies made up, and we distribute it at shows. Slow paced, but we have big plans for our next one.
Well congrats! That takes a ton of time and effort. And how have people responded to your live show?
We’ve noticed we get a really good response from the crowd at our shows. We don’t bring a room full of people, but normally once we start playing, the room fills out and the crowd thickens. People have a good time and they tell us afterwards, so we’re happy about it.
From your experience so far how do you feel about the Toronto hard rock and heavy metal scene?
Brandon: It’s terrible.
Chelsea: There’s a lot of good talent in Toronto, our only problem is that we play shows with the wrong group of metal heads. We’ve ended up playing a lot of death core shows and that’s not who we are at all, but that’s the main genre out in Toronto now. The people out here don’t seem to like it live as much if they can’t mosh the entire time or if a whole song isn’t only growling
It is quite a mash up, at least we have good bands tour through, but you are definitely right about local show grouping. With the strong underground Femme Metal movement, do you feel things would be different for Embracing Soul if you were relocated in Europe?
I think we would get a lot more recognition. Even looking at our list of Facebook fans, the more dedicated fans are from European countries. The arts scene and appreciation for women and music, no matter the genre, is also a lot greater there. I think it would be fun to tour there lol
Amen to that! So briefly tell us about your musical training and backgrounds?
Brandon: HA! None. I taught myself guitar and basically everything I know about song writing. I just screw around until it sounds good.
Chelsea: I’ve never taken vocal lessons and I learned all I know about guitar and writing musical compositions from Brandon and I learned bass on my own. Neither of us have taken lessons for anything, nor even have taken music in school. Well, I don’t think the year of Clarinet helped Brandon in high school…
Brandon: No… not at all lol
That certainly is impressive guys. K next question: Top 10 most influential bands for both of you! GO!
Evanescence, Opeth, Korn, Godsmack, Disturbed, Tool, Slayer, In Flames, Trivium, Epica.
Wicked. If you could play with any three bands, who would they be?
Korn, Evanescence and Disturbed.
Outside of the band, what do you guys do in your daily life?
The band is our daily life! Well, not all the time, but when we do break, it’s for school and video games. We do spend a lot of our time just jamming, writing and recording though. It’s what we find fun and what we’re studying in school anyway.
What is it that you two study in school anyways?
Chelsea: I am studying Entertainment Management. This is basically for managing bands or artists, getting to know all the legal aspects of the industry and all the right ways to get bands higher up in the music industry.
Brandon: I study Audio Engineering. Basically I want to record bands in the studio.
You guys seriously sound like a super team of which any band would be jealous of, or well, wish to have. So with all of this being said, what does the future hold for Embracing Soul? Can we expect to hear some new music soon? Any other big plans?
We are currently taking a writing break. With all the stress involved with school, we don’t really have time to practice too much, but we’re always writing. We’ve already started on some new recordings actually. These will just be promotional copies until we get into the studio (which we plan on doing after school). Our song writing is constantly improving, so the songs we’re currently working on, we’re very excited about. So yes, there is a lot to come from Embracing Soul in the next year! We’re looking forward to it.
Label : Independent Release/Revalve Records
Review by Tony Cannella
Pursuing the End is an interesting little band from Italy. In 2011 they released their 4-song 15 ½ minute EP, “Dawn of Expiation”. Now the band returns with a new 3-song, 10 ½ minute single titled “Withering”. There is actually a lot to like about this operatic, symphonic metal band as their debut EP hinted at. “Withering” is mostly a good effort. The male vocals by Giacomo Benamati are clean metal vocals, no screaming or grunt here, they are more along the lines of the male singer from Visions of Atlantis. The angelic sounding female vocals by Caterina Bonfanti are excellent as well. Unfortunately though, in my opinion the female operatic vocals are a little too over-the-top. Others may disagree and find this right up their alley, but I think Pursuing the End would be better served if they toned down the opera elements. That is not to say that there are not parts where it could definitely work.“Overture” starts things off with its orchestral intro setting the stage for “Withering” which starts off with the ultra-operatic vocals when Giacomo takes over and the angelic female vocals come in, these definitely save the song for me. There are a hint of grunt vocals in the background but they are very low in the mix. Musically, “Withering” is a beautiful song that shows that this band is capable of so much more. “A Glimpse of Forbidden” closes out the trio of songs and once again has a lot going for it musically. Thankfully the band relies mostly on the clean male vocals and the angelic female vocals and strong choir-like background vocals. The operatic vocals are utilized but not as much as in the previous song. “Withering” is definitely a step forward from “Dawn of Expiation”, but the operatic vocals are certainly going to be an acquired taste for some, but others may love them and others may be turned off by them. There is no accounting for taste, I guess. Pursuing the End is a good band, but in my opinion could be so much better.
Rating - 75/100
Interview by Roberta Ilaria Rossi
Gone Til Winter is a melodic metal band from Manchester (UK) with some progressive and power melodies embodied in the sound. Still “unknown” to many people, this band is trying to enlarge their music and trying to get a name all over Europe. With a new album that will come out this year, Gone Til Winter is proudly spread the word and for this reason, we met Talena Cuthbert, the vocalist of the band, who kindly presented the band and said something about her future goal. Check it out!
Hi Talena, today you’re our guest on Femme Metal. First of all, how are you doing? Would you like to introduce yourself and the band, saying something about your biography, how were this project born for those people who haven’t had the chance to get in touch with your music?
Hi Femme Metal! We are: Talena Cuthbert (Voice), Jonathan Gruzelier (Guitar), Rosie Smith (Keyboard), Shirezy (Bass) & Ollie (Drums), collectively known as Gone Til Winter. Jonathan & I started this band about 10 years ago now. I have always been in bands from about the age of 13…It is totally in my blood to perform so I don’t think I’ll ever be stopping! If you are searching an in-depth biography, check our site :)
Gone ‘Til Winter comes from Manchester and that mainly plays melodic metal, but your influences also involve the most various genres like progressive, power and gothic. What were your biggest influences?
Gone Til Winter has evolved quite a bit since the beginning, seeing many lineup changes as well as a darker, heavier sound wash over us. We now like to describe ourselves as UK Dark Melodic Power Metal. We have so many influences from many different genres, I guess because we all are in to slightly different things. Some examples are Iron Maiden, Katatonia, Led Zepplin, Heart, Skunk Anansie, Kamalot, The Mission, Opeth, Warlock and so many more!
“Deconstruct The Season” was the first EP and it got lots of positive reviews. Did you get the same “treatment” with the self-titled EP and with the record “The First Season”?
Yes. Both have had mixed feeling but generally people are very positive…even people that aren’t it to metal have said they like it!
From “Gone Til Winter” you’ve published the single “Hear Me” and it has been recorded a video clip for it. How have you lived this experience?
We all really enjoyed making the music video for “Hear Me”. It was something that none of us had ever done before so we were quite nervous but it was so much fun too!
A new record is scheduled to be out this year and it will be called “Hiding from the Sun”. What can you tell about it?
This new album is what we have all been waiting to do! It is a dark, powerful heavy moody album, full of great riffs melodies and an atmosphere that will leave you with goose bumps. We are all so excited about his as we are doing it all on our own – no record company telling us what we can and can’t do – so it is exactly who we are!
Along with the official release of the new record, it is also schedule a tour in the UK. Would you like to tell us something?
We are hoping to put together a UK tour for May 2013 and then maybe get a few shows in Europe too.
Your sound is quite influenced by bands like Lacuna Coil, Nightwish and Evanescence, just to name a few. What did cause this choice? They are so famous bands in the metal panorama scene…
We don’t ‘choose’ what we are going to sound like as our song writing process is very embryonic. We are all individually influenced by many different bands and we write the songs all together. I hope that each listener finds themselves hearing many influences of their liking.
Listening to “The First Season”, I’ve noticed a few influences related to prog and medieval melodies, especially in “Distant Places”… but I’ve also seen that that are some softer songs as well. What could you say about the recording process of this album and what about the music and lyrics instead?
“The First Season” is a mixture of earlier Gone Til Winter songs…something for the fans. The first two tracks (“Solemnise” and “Heat Signal”) are the most recent, both being recorded as demos in 2006. We were hoping to put these two songs on to our self titled EP but they never made it on there. They are probably the most heavy songs on the album and defiantly leading toward the sound that we now create. The next three songs (“Kill Me”, “Utopia” & “Deep Sleep”) were all recorded in 2004. They were the first three songs that we ever recorded! It was with the original members of the band. The last three songs, the acoustic tracks (“Distant Places”, “Release –Acoustic” & “Constant Retreat – Acoustic”) were recorded around 2005. Jonathan & I went through some pretty tough times and ended up writing “Distant Places”. We decided after a while that we would like for our fans to hear this as it was such an emotional thing for us to do, so we recorded all three acoustic tracks.
Inspiration is something that is quite “difficult to get”. How do the music and lyrics branded “Gone Til Winter” come to life? Do you also make that so-called team work or does each band member do his own work?
To start off with, one of us will come up with an idea – a riff, a beat, a lyric – and then we throw it at the rest of the band. Sometimes we’ll go away and work on parts on our own but mainly all the music is jammed out. Lyric wise, I do like to take myself away from everyone else and write. The lyrics are sometimes quite personal so I need to get myself in to the right frame of mind to get the creative flow.
The artwork of the album is very curious. I don’t know the reason why but in a first moment, it reminded me the artwork of the movie “The Silence of the Lambs” :) Who has taken care of the cover of this record? What is the concept that is behind that image?
Actually for “The First Season” we ran a competition in schools and colleges across the UK for someone to come up with the artwork. We thought it would give up coming artists a chance to showcase their work!
In this record your potential is clearly visible and I assume that we will hear from you soon in future. Have you already decided your next goals? I know that you’ll play somewhere in the summer season…
We are all taking things one step at a time. We are really looking forward to the summer show across the UK before we take a break to get our new album finished off.
As I mentioned before, you’ll play at Bloodstock on August 11th. What can you tell about this gig? I know that lots of your fans are waiting for this moment for so long…
We are so excited! We are playing on the New Blood Stage (unsigned artists). Because of the buzz that always seems to surround the New Blood Stage there is always going to be an element of pressure to deliver the best you can. I’m so looking forward to it though, hoping to release our sound to a much wider audience!
If I’m not mistaken, you’ve also signed a deal record with Headroom Records. Are you still working with this label at the moment or are you searching for something else?
We signed a licensing deal with Headroom back in 2008. They were very good with us, getting our music video made and getting our first release out there. We are no longer with Headroom Records. Everything we do, we do on our own so it does take a lot of time, but I am so proud of where we have got too.
Ok, let’s change the topic for a while. Along with Rosie Smith, your keyboard player, you’re the only woman inside the band. How do you face this situation? Do you manage to assert your own opinion among the guys?
Always…I am the boss! Haha! The guys in the band are great. We all have equal opinions and we are all equal in the decision making too. It is very difficult being in a male dominated industry so even the guys in Gone Til Winter feel the frustration that us ladies get when confronted with discrimination. We are like a family really. All best friends with no egos, it’s great!.
Talking about fronted female bands: is there any band you would like to start a collaboration with or would you like to work with?
I would love to collaborate with Heart. Ann & Nancy Wilson are amazing!
Thanks so much for your willingness. You have carte blanche to share some words with our readers and your fans. See you soon :)
And thank you!