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Webzine dedicated to the metal band fronted by girls. We also like ambient,darkwave,rock & electronic music.
(@mediaevalbaebes) After the interview it cometh the review. UK’s Classical/Folk ensamble Mediaeval Baebes (Official) latest [double] album “The Huntress” was defined by Davide simply “a long trip in the folklore of distant lands”. As our reviewer has stated later - “At times I even felt the sensation of being brought back in the past, in the courtyard of a medieval castle. I was sitting in front of a big fire and there were some girls dancing in front of it and they sang in chorus”. The particularity of this ensamble is the utilize of different languages and “often their songs are nothing more than poems accompanied with the sweet melody of an harp, a violin, a flute, a flute and some low percussions”.
(@mediaevalbaebes) It’s time for a [musical] digression with the UK classical/folk ensamble Mediaeval Baebes (Official) that features in its ranks Pythia’s Emily Alice Ovenden too. But this time we have had the chance [or better Alessandra had] to interview its core member/founder Katharine Blake. In this interesting interview Katharine has explained the whole lyrical concept behind their latest album “The Huntress” and particularly the singer states that “there is a strong theme of female energy represented on this album through the symbolism of the moon and the huntress”. “The Huntress” is a double CD and when Katherine is questioned about the reason of such tracklist she said : “We have represented the duality with the concept of the double album, the first CD being more earthy and folk in feel, and the second CD taking on a more esoteric and classical tone”. But the fact that striked the most Alessandra was the utilize of different languages [such as the “Mediaeval Latin, Middle English, Modern English, Mediaeval Irish and Arabic”] and, with facility, Katharine admits that “I don’t find it difficult to sing in all these languages. It takes a bit of learning, but it is incredibly rewarding to sing and compose in all these varied tongues.”
Interview by Roberta Ilaria Rossi
Pythia is one of the most famous British metal band and they come back in this 2012 with a new record for Golden Axe Records, called “The Serpent’s Curse”. We had the chance to exchange some little words with the amazing vocalist Emily Alice Ovenden and that’s what she said to us!
Hi Emily, welcome to Femme Metal. Your new album, “The Serpent’s Curse”, will be released very soon. Would you like to share something with us?
“The Serpent’s Curse” is brilliant! Buy it if you haven’t yet!
In December, you released the single “Betray My Heart” and you also did a video clip for it. Why have you chosen this single to launch this new album?
We just felt it was the most immediate track and a good taster for the rest of the album. While I think there’s plenty of variety on the album, this was as representative of the album as a whole as any of the songs on there. It was definitely a good choice as it’s proved to be a big hit with fans live.
After the video, you streamed two more songs: “Just a Lie” e “Heartless”, both taken from the new record. What can you tell us about those?
Those again felt like some of the catchier tracks on the album and seemed the right choice to get out there. They were our choices for tracks for the Rock Band game and as they were being made available that way, it made sense to stream them. They’re also two of the fastest songs we’ve ever written so should be a challenge for people to perfect on Rock Band.
The album will be out on Feb 27th, via Golden Axe Records, who previously have released your debut album, “Beneath the Veiled Embrace”. Have you had the chance to see (and to read) something from the critics and the press itself? If so, what was their reaction?
We’ve seen a number of reviews and so far the feedback has been overwhelmingly positive. Thankfully, most of the critics seem to be getting what the band is all about and enjoying how catchy some of it is but also finding out the layering and subtlety that we’ve put into the song writing. I’m also glad to read a lot of good feedback on my lyrics which I really put a lot into on this album and it’s the best compliment to hear that people are really latching on to that.
Do you think that this album will be appreciated by Pythia fans?
We hope so! At this point, the album has now been released and it sounds as though the fans are really digging it. Without wishing to blow our own trumpet, I’ve heard nothing but positive feedback from the existing fans. And I think we’ve also picked up a few more fans since the album’s release, which is just fantastic.
The artwork immediately caught my attention. Who created it?
It was done by a very well-known British artist called Brian Froud. I’m really lucky to have known Brian for a long time, since I was very young in fact and he was really up for doing the cover for us. He came up with a fantastic idea straight off the bat and was really open to our suggestions, leading to the final artwork we used on the album. I should also mention Gurdish Haugsdal who came up with the sleeve and inlay design, using Brian’s artwork. Again, Gurdish did an amazing job of bringing our ideas to life so the end result was exactly what we were hoping for.
Where did the idea for the album title “The Serpent’s Curse” come from?
It’s a reference to the snake in the Garden of Eden, as well as retaining the serpentine theme of the name Pythia. One of the recurring themes of the lyrics on the album is the stand-off between Darwinism and the idea of Creation, so I suppose it’s almost posed as a question to the listener – you decide!
If you were to define this new output with a word or an adjective, or even “a feeling”, which word would you use to describe it ?
Having given the album a quick, I felt I could hear it being influence by the Nightwish album “Oceanborn” album, mainly on the track “Cry of Our Nation”. It seems like that maybe because of the keyboards who seem very “symphonic-oriented” or perhaps it is due to the hard and powerful guitars. Do you personally agree with this statement?
I don’t think it’s directly influenced, as none of us really listen to Nightwish or certainly haven’t for a long time. As a metal band with a female singer we have unavoidably drawn those comparisons to Nightwish, so I guess we’re closer to that earlier period of the band that was a bit thrashier – or so I’ve been told! I think if anything, we probably drew from the same influences that Nightwish did, so possibly that’s why there are parallels.
The record is quite multifaceted and quite catchy, sometimes it sounds like symphonic metal, but the thing that impressed me the most was the lyrical side of it. I know that write most of the lyrics for Pythia. What can you tell us about them? How’s writing process been, where did the inspiration to write such lyrics come from?
I wrote all the lyrics and it’s great to hear that they’ve come across well and people are enjoying them! I put quite a lot into them emotionally and in some ways it was almost a channelling process and I went to some very personal places with the lyrics. Really it all comes from my own experiences in life, love, relationships etc. As I mentioned before, there are also some philosophical questions in there, but again they come from my own personal perspective and view on the world.
Pythia is considered a metal band, even if I think personally that you’re more gothic-classical oriented. Do you agree with this?
I think we are definitely a metal band at our core. The drums and guitars are unmistakably metal, particularly on the new album and I think it’s something we’re unashamedly proud of. As for the gothic and classical influences, those are also really important parts of our sound, but I think those are more closely tied to metal than a lot of people think. If someone like Beethoven had been alive today, I think he probably would have been writing metal as there are a lot of similarities in the virtuosity of the musicianship and the complexity and layering of the composition. As a lifelong fan of gothic literature, I think the gothic influence is also valid as I think, even sub-consciously, it influences my melodies and lyrics, at least.
Emily, I know that you also sing in Mediæval Bæbes and Celtic Legend. How do you manage to reconcile all your work commitments?
I only sleep 30 minutes a night! My secret is out! Seriously, it is hard work, particularly with now being a mother, but I think if you have the passion and enthusiasm for things, which I certainly do, then you make it all work and fit together. There’s also the thing at the back of my mind that my voice isn’t going to last forever so I want to make the most of it while I can!
You use an operatic singing style. What kind of vocal training did you have?
I started singing at a very early age and was very fortunate to go to a specialist music school when I was a teenager.
I know that this year you will play in London and as well as in Cardiff, along with Serenity. What do you think of this Austrian band?
They’re a great bunch of guys and are deservedly making a name for themselves in Europe and over hear. Hopefully these shows should help them raise their profile further. I think what they’re doing is very accessible but subtly different to a lot of ‘power metal bands’ in that they have a higher level of musicianship and a complexity in their songs that gives them an extra depth. A couple of the guys in Serenity actually collaborated with the Pythia boys on a charity concert in memory of Marc Dyos’ brother Vincent, who sadly passed away in 2009.
What is your own relationship with the music you make and the stage?
As I mentioned before, I put a lot of personal emotion and energy into the lyrics, so I think I have a very close relationship with my music. As for the stage, it’s really important to me to be able to perform my music as, while I think you can get a lot from listening on a CD or digital copy, you can only really feel the true energy of the music if you get to see it performed live.
I know that in 2010 you also played in Belgium, for an important festival called Metal Female Voices Fest, that has the only purpose to promote fronted female metal bands. Would you like to share something about this experience with us? How was it for you playing live in front of so many people that were coming for you from all over the world?
It was incredible! A really great experience and one that I hope we can repeat at some point in the future. It’s a really well organised and put together festival and deservedly attracts a big, international crowd. It was amazing being able to interact with people from all over as well as share the stage with some great bands.
What do you think of fronted female metal genre? Is there any artist or band you like the most?
Apart from Pythia? Seriously, I don’t really see it as a genre, as most of the bands that are classified as female-fronted metal sound completely different to each other. Aesthetically they may have similarities, but sonically Nightwish sound to me really different to Leaves’ Eyes or Stream of Passion. And then I think we sound totally different to, say, Unexpected. I think the good thing about it being considered a genre is that it means people get to hear all sorts of different styles without maybe realising it. Hopefully they then go out and check out other bands in that genre, female-fronted or otherwise.
Your album will be released in Europe very soon. Is there something you would like to do after the promotion for the new record? Any hidden fantasy or dream?
Plenty of hidden fantasies, though none I’m going to share here :D I’m hoping we get the chance to do more shows in Europe and spread the name around more. We’ve got a distribution deal in Japan so it would be dream come true if we got the chance to play out there at some point.
Are you going to go on a European tour soon? What future is in store for Pythia?
There are some things in the pipeline, but nothing that we can announce yet. Watch this space!
Thanks so much for the nice chat, Emily. Good luck with the band! Anything you’d like to say to your fans and our FM readers?
Check out “The Serpent’s Curse” if you haven’t already! See you on the road in the not too distant future…
Label : BadMoonBad Music/Solitude Productions
Review by Tony Cannella
It is odd when a band comes out with a 28-minute compilation EP. Such is the case with “Apple of Discord” by the Russian band Canonis. After a series of Demos – their first of which came out in 1995 – and a single, the band has compiled some of those moments on their new 7-song, 28-minute compilation. Musically Canonis began as Doom Metal band but has since evolved into playing ethereal, ambient music and that is the style that is showcased on “Apple of Discord”. On “Apple of Discord” the general tone is one of dark and beautiful music. Their Doom Metal period is clearly in the rear view mirror for Canonis as the songs display an ambience and ethereal splendor to them. There is also a bit of a Celtic, Folk flavor to some of the songs. Throughout “Apple of Discord” I was most certainly impressed with the overall presentation, sound and most of all songs from this talented Russian band. Hopefully a debut full-length from Canonis is not too far off.
Rating - 85/100
From the UK comes Pythia. Their line up feature female vocalist Emily Alice Ovenden. And she is joined by Ross White (Guitar), Tim Neale (guitar), Marc Dyos (drums), Andy Nixon-Corefield (bass) and Richard Holland (keyboards). The music that can be heard on their newest release “Beneath the Veiled Embrace” is extremely melodic and very beautifully crafted progressive power metal with excellent musicianship. “Sweet Cantation” is the opening track and man it just tears through the speakers and delivers a shot of adrenalin that really kick starts this thing. “Sarah (Bury Her)” is next and is a definite highlight and a great choice of single. This is more of a mid-tempo track and is definitely a favorite. “Tristan” keeps things going on the right track. “Ride for Glory” is next and it really ups the heaviness factor. The song has a galloping like feel to it, that gives it a cool atmosphere. The vocals of Emily Alice Ovenden are perfect throughout the CD. She definitely has the talent to emerge as a force in the realm of female fronted metal in 2009 and beyond. “My Pale Prince” begins with a keyboard intro before a great, crunchy and heavy guitar riff joins in. Again Emily’s vocals are quite strong and powerful on this one. The band’s use of keyboards are well done and they give the songs some good atmosphere and a progressive feel. “Eternal Darkness” is just a straight forward, powerful track and another favorite. Other highlights include: “What You Wish for”, “Army of the Damned” and “Oedipus”. “No Compromise” is a great way to close this CD and it really leaves the listener wanting more. Of the 10-songs that are included on “Beneath the Veiled Embrace” there is not one bad song in the bunch. With ”Beneath the Veiled Embrace”, Pythia have issued a powerful, energetic, uncompromising, relentless and absolutely fantastic slice of metal.
Rating - 90/100
Label : Victory Records
Review By Tony Cannella
Los Angeles, California based band Otep wants, no demands your attention, and on their recently issued fourth album “Smash the Control Machine” they are going to get it by any means necessary. The band have been kicking around for a number years, since their contentious debut “Sevas Tra” was released in 2002 and almost 8-years later the band - led by Otep Shamaya - still have a lot to say. It’s safe to say that the years have not mellowed this 4-piece out fit, not one bit. “Rise Rebel Resist” really sets things in motion, full-throttle and it is definitely indicative of what this CD has to offer as Otep Shamaya spits out her lyrics with rapid fire precision. “Sweet Tooth” is next and takes a different route than the previous track, it still has it’s heavy moments but Otep utilizes a softer vocal style here, that is really disarming. The title song has an infectious groove running throughout the track, but there is an underlying hostility that can’t be denied. Definitely one of the highlights. The next track “Head” is a bit of a departure and features an almost psychedelic vibe to go along with Otep’s trademark screaming vocals, but she does more than just scream and all styles are on display in this song. More highlights: “Numb & Dumb”, “Unveiled” and “Ur A Wmn Now”. The finest moment, however is eerily haunting “Where the River Ends”. As with any Otep release, you get your share of social commentary in the lyrics and “Smash the Control Machine” (great title by the way) is no different. The 13-songs contained on this CD are hostile and aggressive with some surprises along the way.
Rating - 75/100
Label : Hewhocorrupts Inc.
Review by John Davies
This band labels themselves as rock/punk/indie on their MySpace site but I would be more inclined to call them indie progressive.There is far too much sophistication here to call them punk.This Chicago, Illinois band has compiled a great collection of super catchy tunes with a solid hard rock edge, and super clear vocals with lots of power. Every song is laced with great hooks that just grab you and won’t let go. Vocalist Emily Schambra also writes the lyrics, which are nothing short of brilliant poetry. The vocals and the guitar riffs are always so complimentary to each other, even though they are on completely different melodies. All the punches just work perfectly together. And there are lots of punches, with the guitars slamming in with gripping rhythms at just the right moments. The two guitarists are almost always playing different parts from each other, adding so much detail to the songs. Emily’s vocals have an interesting quality that adds an element of intrigue to the songs. I must say I really like her voice. She has lots of punch and a good range.The entire album is bursting with energy and melodies to die for, so if you need a good pick me up, grab this album and go nuts. I’m really crazy about this band, and they’re great if you want to get away from the abundance of gothic, symphonic style bands that seem to be multiplying like rabbits, and listen to some really fun, supercharged indie rock for a change. I would also recommend their previous six track EP called “Lost in Landscapes”, for more of the same great stuff. I have to warn you though, once you hear the song “Call the Guards Off”, the catchy chorus will be stuck in your head forever. It’s been embedded in my brain for months!
Rating - 90/100