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Webzine dedicated to the metal band fronted by girls. We also like ambient,darkwave,rock & electronic music.
Photo by Roberta Ilaria Rossi
Gig Review by Marcy Bell
It’s clear: Epica and Italy are entwined. The concert at the Alcatraz in Milan on the 27th October was a huge success for Simone Simons and her fellows. Stage B was almost full, there were more fans and friends than in the previous tour. As in 2008 Epica were supported by the Finnish Amberian Dawn and in this new tour also by the brand-new German band: Sons of Seasons lead by Oliver Palotai. The Dutch band presented live some songs of the new album “Design Your Universe” but most of the show was made with hits from the past such as “Black Infinity”, “Cry for the Moon”, “The Phantom Agony” and “Consign to Oblivion”. The gig started with the new “Resign To Surrender” and then it went into the old mood with “Sensorium”, hands up with Simone and the whole band with the beginning of “Quietus” and then the Oriental style of “Fools of Damnation”. It was time for “Design Your Universe” and the first single “Unleashed”, the beat of Ariën on drums started very loud running through “Martyrs of the Free World”. Epica’s classic “Obsessive Devotion” led the central part of the show, as it’s always a pleasure listen live this song with Mark on growl and Simone running back and forth the stage in a seven minutes Epica-old-style-vibes. “Tides of Time” showed all the deep and sweet part of Epica with Simone solo in all her vocal talent and Coen on piano: a moment that gave you shivers on your spine. The band went again on stage with the last three songs: “Black Infinity”, “Mother of Light” and the techno-version of “Phantom Agony”. The latter was an enjoyable surprise for the crowd that started dancing with color lights as in a dance floor. Good point for Epica indeed. The encore was with “Cry for the Moon”, “Sancta Terra” and the final “Consign to Oblivion”. The show was good, the crowd really enjoyed it and finally we can say that Epica are improving themselves live in every tour.
Gig Review & Photos by Erwin van Dijk
Epica has released their new album and this evening is more or less the release party. And because Epica is sponsored by Jägermeister the first 200 visitors will get an Epic USB stick full of exclusive, rare and previously unreleased Epica stuff. Also, the band will play the entire “Design Your Universe” album at this gig. Like Kamelot and Megadeth last year the venue was indeed sold out and this resulted once again in a queue from the doors of the Paradiso to the Leidseplein (Leiden Square) The last time for me at the Paradiso was for CHIC and Jello Biafra. Jello Biafra is the legendary singer of the Dead Kennedys and CHIC is a funk/disco/rock band from the seventies. Two cool bands but the opposite of Epica so to say. This was the second time for Epica at the Paradiso. The first time was supposed to be released on DVD but all we got was a book: “The Road to Paradiso”. This was years ago and the band has grown since then. Kingfisher Sky is a nice band who had the honour to be the opener tonight. Every band in Holland will sell thesouls to the devil to do a Paradiso gig so this was for Kingfisher Sky the opportunity of a life time. The Paradiso might be one of the most prestigious venues in the Netherlands, it does not have the biggest stage and with seven band members and your own drum kit and keyboards next to all the gear Epica uses the stage was very cramped. But Kingfisher Sky managed to squeeze six songs in the little time they had. Kingfisher Sky had barely 30 minutes. To save the Polar bears there was no light on stage - good for environment but not for us. But there were no budget cuts concerning the use of smoke machines and this gave the gig a mysterious feeling which suited the music. Kingfisher did a good gig but personally I would not be in their shoes this night. Epica is way out of their league and even a band like Within Temptation should be worried right now with this new incarnation of Epica. In short, Kingfisher Sky is an ‘art house movie’ while Epica is popcorn entertainment for the masses.
Maaike, who plays the cello said about this gig: “Supporting Epica in a Sold Out Paradiso really was one of the best things happening in 2009, we had a blast and in our opinion it was over far too soon. Thanks Epica and Epica Fans”. From the first notes it was clear that this gig would contain the usual ingredients: smoke pillars, firework, flamethrowers, etc - enough to start World War III Visually it was a very entertaining show to see but, more important, the songs from Epica’s latest album are strong enough to keep their own against all that visual violence. Not many bands dare to play their entire album live (and if they do, like Iron Maiden, there is a lot of critic and / or negative response) but Epica got away with it. And Medusa, who the true Epica fans will remember from the 2008 autumn gigs, says : “We had a great time, it was very crowded and hot, but of course we added some heath as well :)”. Medusa would also show up at Metal Female Voices Fest, together with Floor Jansen. Like Jello Biafra a month earlier Mark did a crowd surf but while Jello did the full round from stage to bar and back again Mark vanished somewhere midway into the crowd. And the Jägermeister girls also had a small appearance on stage with an air pressure cannon designed to shoot t shirts into the audience. Funny enough a lot of those shirts ended up on stage again. Poor marksmanship I guess. A word about the album: Like the latest Leaves’Eyes I would say it is a save buy for the fans. It has all the ingredients for an Epica album and the fresh blood from the God Dethroned boys makes it more metal. Epica did not reinvent themselves with this album. They took the best parts of their music and improved them even more. And, if I am really honest, this gig was better than the one at Metal Female Voices Fest.
Interview by Erwin Van Dijk
An interview with Mark Jansen from Epica. The band Epica does not really need an introduction. 2009 was a busy year for the band. Epica did a festival tour this summer and released a live album,“The Classical Conspiracy - Live in Miskolc, Hungary”. Even better is the news that Epica will also release a new studio album in October. This interview is with Mark Jansen, the mastermind behind Epica.
Did you always wanted to become a guitar player and singer?
No, I wanted to become a cyclist and I also have a master degree in psychology but none of these made it to a profession. When I was 15 years old I went to a show of the Dutch death metal band Gorefest and from that moment on I knew I wanted to be on the stage as well. By then I didn’t have the intention to become a singer. I started playing guitar and that was fun enough but when the male singer of my previous band After Forever left I started singing as well.
And did you have any other bands before After Forever?
No, After Forever was my very first band and Epica my 2nd. I never played in any other band.
How do you see yourself, as a guitar player that can do some grunts or as a singer who also can play the guitar?
As a guitar player that does some grunts as well. But above all I see myself as a composer who plays the guitar (… and do some grunts as well haha).
And did you follow any singing/grunt lessons?
No, it was more or less trial and error, grunts should not hurt your throat but everybody who tries to grunt for the first time won’t feel comfortable doing it, you just need to find the right way and there you go ;-)
What kind of guitars and amplifiers do you use?
We just signed an artist deal with V-empire guitar amps, it’s a Polish company and they make damn good amps. We were using Mesa Boogies before and they were good as well but when you have the possibility to sign a deal and get all these great amps for free you just have to grasp that chance with both hands :)
To what kind of music do you listen yourself and what are your favorite bands?
I often listen to bands which I liked when I was a teenager: Dream Theater, Megadeth, Guns N’ Roses etc, it brings back nice memories. A band that I discovered 5 years ago and listen to a lot is Opeth. Besides that I also like to listen to film scores and classical music.
Is it difficult to combine Epica with your personal life?
It’s a challenge and I need challenges in my life. My girlfriend lives in the US, so you can imagine it’s not easy to combine, but nothing is impossible. At the moment we are 1 year and 8 months together and we see each other quite a lot in spite of the distance. Besides making music, we also manage the band ourselves, we don’t want to throw money in the pocket of a lousy manager. The disadvantage is that there’s a lot of extra work. But I still manage to have some free time and during this free time I like to enjoy the beauty of nature, sport and watch football ;-)
What are your favorite Epica songs?
It’s hard to choose as I like many of them. But if I’m forced to make a selection with a shotgun pointed on my forehead I would say: “Cry for the Moon” (“The Phantom Agony” - 2003); “Consign to Oblivion” (“Consign to Oblivion” - 2005); “Fools of Damnation” (“The Divine Conspiracy” - 2007); “Kingdom of Heaven” (“Design Your Universe” - 2009)
I think that the trouble with Transmission Records was without doubt a negative experience for Epica. But what are the highlights so far?
There are many highlights, to name a few: - Lowlands and Pinkpop, playing these great festivals in the Netherlands were highlights; Wacken Open Air (2009) Germany, for me a dream come true to finally play the biggest metal festival of Europe; - “The Classical Conspiracy” and the show itself with orchestra and choir, the biggest highlight so far; Signing with Nuclear Blast, the record company I always wanted to be on since I started playing guitar; Being the first metal band from abroad to play in Tunisia, people were crying of joy, I will never forget that.
And do you have any updates about the Transmission Records situation?
Yes, the label owner signed a deal with Nuclear Blast to re-release the old albums and the previously unreleased “Live in Paradiso DVD”.
Epica has two new band members now, both from God Dethroned. The God Dethroned music is very different from the style Epica has. Will the new blood in the band have much influence on the new songs? This is because I’ve noticed at live gigs (like Wâldrock) Epica has far more energy on stage.
You’re right, since these two guys joined us we are a way more energetic band, not only music wise but also the stage performance has become more energetic. The guys have also an influence on the songs as everybody in the band influences the songs so some differences are due to them. But I like it this way, new blood means also the chance to integrate new elements (like solo’s) and we did :)
Where do you get the inspiration for the music and lyrics?
Inspiration is a fantastic thing, you don’t know where it comes from and what causes it, it’s a mystery ;-)
What is the idea behind the name of the album?
“Design Your Universe” basically refers to the capacity to take control over your own life and create your universe. Many people don’t live their dreams as they think it’s unrealistic and out of reach. I am one of the many prooves that you can succeed, don’t fear the unknown and take risks :)
And can you tell us something about the songs on “Design Your Universe”?
We went quite deep into the details this time. We want to make improvements on every album and as “The Divine Conspiracy” got great critics by press and fans we had to come up with something better this time and that’s quite a job! haha. So we worked our asses off to try to make an even better album. My favorite song is “Kingdom of Heaven” a very long song but we managed to keep it interesting, long songs can easily get boring but I think we finally found the perfect ingredients for the longest song of Epica ‘till now.
Three songs on “Design Your Universe” are a part of the “A New Age Dawns” saga. This saga has now six chapters. What is the relation between the “Design” chapters and the “Oblivion” chapters?
The relation is that we need to make a change, we lost contact with nature, each other and the earth. We need to get rid to some of our addictions which will destroy us in the end. Like our addiction to earn more money than our neighbour, money is the “antichrist” of our civilization..
You have also recorded a song with Tony Kakko from Sonata Arctica. How was it to work together with him?
Great, we toured with Sonata in Europe and asked him one of these days if he would be interested to record a song with us. Fortunately he was and with his very unique voice he lifts the “White Waters” song to a next level.
There are plans to record DVD at the Metal Female Voices Fest in October. What can we expect?
We will record DVD material, so whatever turns out great will reach a future DVD but if we’re not satisfied nothing will happen. The facts are that we are gonna do a big show there, probably the biggest we have ever done. So probably you’ll find at least some of this footage on a future DVD together with other concerts. MFVF made advertisements with the message that we will record a DVD there but we don’t want to disappoint our fans as long as we’re not sure.
Besides the upcoming tour, what else can we expect from Epica in the future?
We don’t look to much ahead of us, so I don’t know but until the summer of 2010 the whole schedule is fixed already so for like 1 year we know already what to do haha.
And the last question, is there anything the reader should know that I have not asked?
Erwin, you covered it all :) Thanks a lot!
Interview by Roberta Ilaria Rossi
Pythia is one of the most famous British metal band and they come back in this 2012 with a new record for Golden Axe Records, called “The Serpent’s Curse”. We had the chance to exchange some little words with the amazing vocalist Emily Alice Ovenden and that’s what she said to us!
Hi Emily, welcome to Femme Metal. Your new album, “The Serpent’s Curse”, will be released very soon. Would you like to share something with us?
“The Serpent’s Curse” is brilliant! Buy it if you haven’t yet!
In December, you released the single “Betray My Heart” and you also did a video clip for it. Why have you chosen this single to launch this new album?
We just felt it was the most immediate track and a good taster for the rest of the album. While I think there’s plenty of variety on the album, this was as representative of the album as a whole as any of the songs on there. It was definitely a good choice as it’s proved to be a big hit with fans live.
After the video, you streamed two more songs: “Just a Lie” e “Heartless”, both taken from the new record. What can you tell us about those?
Those again felt like some of the catchier tracks on the album and seemed the right choice to get out there. They were our choices for tracks for the Rock Band game and as they were being made available that way, it made sense to stream them. They’re also two of the fastest songs we’ve ever written so should be a challenge for people to perfect on Rock Band.
The album will be out on Feb 27th, via Golden Axe Records, who previously have released your debut album, “Beneath the Veiled Embrace”. Have you had the chance to see (and to read) something from the critics and the press itself? If so, what was their reaction?
We’ve seen a number of reviews and so far the feedback has been overwhelmingly positive. Thankfully, most of the critics seem to be getting what the band is all about and enjoying how catchy some of it is but also finding out the layering and subtlety that we’ve put into the song writing. I’m also glad to read a lot of good feedback on my lyrics which I really put a lot into on this album and it’s the best compliment to hear that people are really latching on to that.
Do you think that this album will be appreciated by Pythia fans?
We hope so! At this point, the album has now been released and it sounds as though the fans are really digging it. Without wishing to blow our own trumpet, I’ve heard nothing but positive feedback from the existing fans. And I think we’ve also picked up a few more fans since the album’s release, which is just fantastic.
The artwork immediately caught my attention. Who created it?
It was done by a very well-known British artist called Brian Froud. I’m really lucky to have known Brian for a long time, since I was very young in fact and he was really up for doing the cover for us. He came up with a fantastic idea straight off the bat and was really open to our suggestions, leading to the final artwork we used on the album. I should also mention Gurdish Haugsdal who came up with the sleeve and inlay design, using Brian’s artwork. Again, Gurdish did an amazing job of bringing our ideas to life so the end result was exactly what we were hoping for.
Where did the idea for the album title “The Serpent’s Curse” come from?
It’s a reference to the snake in the Garden of Eden, as well as retaining the serpentine theme of the name Pythia. One of the recurring themes of the lyrics on the album is the stand-off between Darwinism and the idea of Creation, so I suppose it’s almost posed as a question to the listener – you decide!
If you were to define this new output with a word or an adjective, or even “a feeling”, which word would you use to describe it ?
Having given the album a quick, I felt I could hear it being influence by the Nightwish album “Oceanborn” album, mainly on the track “Cry of Our Nation”. It seems like that maybe because of the keyboards who seem very “symphonic-oriented” or perhaps it is due to the hard and powerful guitars. Do you personally agree with this statement?
I don’t think it’s directly influenced, as none of us really listen to Nightwish or certainly haven’t for a long time. As a metal band with a female singer we have unavoidably drawn those comparisons to Nightwish, so I guess we’re closer to that earlier period of the band that was a bit thrashier – or so I’ve been told! I think if anything, we probably drew from the same influences that Nightwish did, so possibly that’s why there are parallels.
The record is quite multifaceted and quite catchy, sometimes it sounds like symphonic metal, but the thing that impressed me the most was the lyrical side of it. I know that write most of the lyrics for Pythia. What can you tell us about them? How’s writing process been, where did the inspiration to write such lyrics come from?
I wrote all the lyrics and it’s great to hear that they’ve come across well and people are enjoying them! I put quite a lot into them emotionally and in some ways it was almost a channelling process and I went to some very personal places with the lyrics. Really it all comes from my own experiences in life, love, relationships etc. As I mentioned before, there are also some philosophical questions in there, but again they come from my own personal perspective and view on the world.
Pythia is considered a metal band, even if I think personally that you’re more gothic-classical oriented. Do you agree with this?
I think we are definitely a metal band at our core. The drums and guitars are unmistakably metal, particularly on the new album and I think it’s something we’re unashamedly proud of. As for the gothic and classical influences, those are also really important parts of our sound, but I think those are more closely tied to metal than a lot of people think. If someone like Beethoven had been alive today, I think he probably would have been writing metal as there are a lot of similarities in the virtuosity of the musicianship and the complexity and layering of the composition. As a lifelong fan of gothic literature, I think the gothic influence is also valid as I think, even sub-consciously, it influences my melodies and lyrics, at least.
Emily, I know that you also sing in Mediæval Bæbes and Celtic Legend. How do you manage to reconcile all your work commitments?
I only sleep 30 minutes a night! My secret is out! Seriously, it is hard work, particularly with now being a mother, but I think if you have the passion and enthusiasm for things, which I certainly do, then you make it all work and fit together. There’s also the thing at the back of my mind that my voice isn’t going to last forever so I want to make the most of it while I can!
You use an operatic singing style. What kind of vocal training did you have?
I started singing at a very early age and was very fortunate to go to a specialist music school when I was a teenager.
I know that this year you will play in London and as well as in Cardiff, along with Serenity. What do you think of this Austrian band?
They’re a great bunch of guys and are deservedly making a name for themselves in Europe and over hear. Hopefully these shows should help them raise their profile further. I think what they’re doing is very accessible but subtly different to a lot of ‘power metal bands’ in that they have a higher level of musicianship and a complexity in their songs that gives them an extra depth. A couple of the guys in Serenity actually collaborated with the Pythia boys on a charity concert in memory of Marc Dyos’ brother Vincent, who sadly passed away in 2009.
What is your own relationship with the music you make and the stage?
As I mentioned before, I put a lot of personal emotion and energy into the lyrics, so I think I have a very close relationship with my music. As for the stage, it’s really important to me to be able to perform my music as, while I think you can get a lot from listening on a CD or digital copy, you can only really feel the true energy of the music if you get to see it performed live.
I know that in 2010 you also played in Belgium, for an important festival called Metal Female Voices Fest, that has the only purpose to promote fronted female metal bands. Would you like to share something about this experience with us? How was it for you playing live in front of so many people that were coming for you from all over the world?
It was incredible! A really great experience and one that I hope we can repeat at some point in the future. It’s a really well organised and put together festival and deservedly attracts a big, international crowd. It was amazing being able to interact with people from all over as well as share the stage with some great bands.
What do you think of fronted female metal genre? Is there any artist or band you like the most?
Apart from Pythia? Seriously, I don’t really see it as a genre, as most of the bands that are classified as female-fronted metal sound completely different to each other. Aesthetically they may have similarities, but sonically Nightwish sound to me really different to Leaves’ Eyes or Stream of Passion. And then I think we sound totally different to, say, Unexpected. I think the good thing about it being considered a genre is that it means people get to hear all sorts of different styles without maybe realising it. Hopefully they then go out and check out other bands in that genre, female-fronted or otherwise.
Your album will be released in Europe very soon. Is there something you would like to do after the promotion for the new record? Any hidden fantasy or dream?
Plenty of hidden fantasies, though none I’m going to share here :D I’m hoping we get the chance to do more shows in Europe and spread the name around more. We’ve got a distribution deal in Japan so it would be dream come true if we got the chance to play out there at some point.
Are you going to go on a European tour soon? What future is in store for Pythia?
There are some things in the pipeline, but nothing that we can announce yet. Watch this space!
Thanks so much for the nice chat, Emily. Good luck with the band! Anything you’d like to say to your fans and our FM readers?
Check out “The Serpent’s Curse” if you haven’t already! See you on the road in the not too distant future…
Interview by Eetu “Ene” Niskanen
We have reached singer and vocal coach Amanda Somerville for discover the latest news about Epica, her new solo album “Windows” and more project too. Enjoy!
Hello Amanda thank you for accepting our interview!
Well, thank you so much for having me!
So for the beginning, as we’ve been told, you are working on a new project with Michael Kiske and Mat Sinner, how is it going and what can we expect of it?
The songs for the album are now complete (I’m contributing 3 songs myself to the album that I wrote together with Sander Gommans) and Matt and his partner Magnus Karlsson are now finishing up the recordings. I was in Stuttgart and recorded my vocals about a week ago and am very excited about the end result. Everything went very well and I was looking forward to it because this was my first time working with Mat & Co. I very much like the songs that are on the album and I’m also honored to be working with Michael Kiske again, since I’ve already been on albums with him before with Aina and Avantasia. You can expect songs that are more rock with a metal edge and I think it’s going to be great!
This year you released your new solo album, the brilliant “Windows”, how much work did it take to get it finally officially released?
Thank you for the compliment. :-) I can’t begin to tell you the emotional, physical, mental and financial efforts that went into getting “Windows” finally released. The album was several years in the making (5+!) and then it was a self-release, so a lot of work went into everything from the cover & booklet design to pressing the CDs to doing promo. And I’m not done!
“Windows” had huge musical variety, how about your next solo album, will it follow the same kind of mixture or maybe something else?
Since my own taste is rather eclectic, my songwriting seems to follow that pattern, as well. I’m sure variety will always be a factor in my albums, but I’m constantly growing, gaining influences, changing. So far I have several songs already written for a new album and they’re a bit darker yet than “Windows” .
Also this year you worked on a project called HDK with Sander Gommans (ex-After Forever), how was the experience working as a vocalist on a lot heavier material than work on your solo material?
It was great! I love a good challenge and this was without a doubt the heaviest thing I’ve done in my career up until now. I was also able to try things out and sing in ways I normally don’t because the material was so incredibly… thrashy! ;-) But I totally got into it and feel like it’s my baby, too. I’m quite proud of the work Sander and I did together and since then we’ve been working together pretty regularly. So it was all around a win-win situation!
Another thing you did in 2009 was Epica’s new album “Design Your Universe”, you worked as a vocal coach for Simone, sang the backing vocals and in the choir, how was it working with Epica again?
I also made a guest appearance and sang a duet originally on “Unleashed”, for which I wrote most of the lyrics, as well. That version is apparently a bonus track for “Design Your Universe”. It’s always been fun working with the Epicans and we came up with more good stuff this time, too, in my opinion!
You are working on new songs with Sander Gommans, how is it that turning out?
Oh, it’s always a lot of fun working with Sander. We’re a pretty good creative match, so the work flow is always great and the end results are solid. We’ve got more work in progress for a few different projects, so we’ll see!
Years ago you were part of project “Aina”, you wrote lyrics and the concept and worked as vocalist, can we expect any more music as follow up for the brilliant “Days of Rising Doom”?
Goodness, that’s a wholly different can of worms and, even though I’ve written a sequel for it, it doesn’t look like that’ll be happening any time soon. Who knows for the future, though…?
You have worked with so many bands and projects, have you ever thought of fronting a band of your own? With this I don’t mean solo work, as an equal band member.
I have my respect for bands but I really don’t think it’s my thing. I’m not one to say “never,” however it’s not something that I can see myself doing right now. I’m much more of a solo musician when it comes to my own music and always have been!
Last year you were touring with both Epica and Avantasia, how was the experience?
Fantastic! I’m a gypsy at heart and performing is my favorite thing to do, so I was completely in my element. I think you could tell from my video blogs, couldn’t you? ;-)
What kind of music do you listen yourself and how often?
Quite varied, actually, and I listen to music almost all the time. Usually it’s something that relaxes me, helps me be sad when I need to be sad or gets me in a good mood
Who are your biggest influences?
My family and the musicians I’ve worked with the past several years (the Gate Studio team).
With all these projects and collaborations what can we expect from you next year?
More live shows, more guest appearances with various bands/projects on albums, new songs, new crazy videos - the works!
Where do you see yourself in 10 years?
Doing the same thing, but more of it, on a higher level and probably with 2 or 3 kids to take care of on top of all that. Not sure which continent or country I’ll be in, however!
Thank you for the interview and take care!
Best wishes to you!
It is hard to believe that the long running Dutch band Epica released their debut opus “The Phantom Agony” only 6 years ago. Since then they have really progressed and evolved in a big way. You can hear the band grow in leaps-and-bounds from album to album, with each release being more ambitious than the last. With their newest outing “Design Your Universe” Epica have really - and I mean really - outdone themselves. In the world of symphonic, epic, power metal, this is about as good as it gets. As is the case with most Epica releases, there is plenty of music to be found on “Design Your Universe” - 13-songs and over 74-minutes to be exact. The CD starts off with the very cinematic intro “Samadhi” before going into the riff heavy opening track “Resign to Surrender (A New Age Dawns Part IV)”. The duo of Mark Jansen (harsh male vocals) and Simone Simons sound as good as they ever have - with Simone able to go from operatic to a lower register, she is really becoming one of the best singers in all of metal. This song also features a cool part with a choir. It is really a solid opening track that really sets things off on the right foot. “Unleashed” continues things in a heavy fashion. The riffs are heavy but this is a solid, melodic, mid-tempo tune that sees Simone taking on the vocals here. After two more solid tracks “Martyr of the Free Word” (a great melodic track) and “Our Destiny”, it is time for the the first truly epic number on the CD. “Kingdom of Heaven” clocks in at over 13-minutes long and it is a a definite highlight for me. Over the years the band has perfected the long, dramatic number and this might be their best . Other highlights include: “Burn to a Cinder”, “Tides of Time”, the moving ballad “White Waters” (which features a duet with Simone and Tony Kakko of Sonata Arctica) and the fantastic 9-minute title track “Design Your Universe”. The CD was produced once again by longtime collaborator Sascha Paeth - I guess at this point it would be odd if the band worked with anyone else. One thing you have to admire about Epica is that they rarely repeat themselves. Each CD has it’s own feeling and vibe and they are not afraid to take on new horizons. Deciding which album is the best from any artist is a matter of opinion and a subjective thing, but right now, as of this moment I think this is the best work this band has done to date. “Design Your Universe” is definitely a release worth getting excited over. Quite possibly the best release of 2009.
Rating - 100/100