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Webzine dedicated to the metal band fronted by girls. We also like ambient,darkwave,rock & electronic music.
Interview by Luisa Mercier
I had the pleasure to review the debut of Delta Rae, talented band from Duke, North Carolina. Their sound draws from several genres, ranging from rock, to gospel and bluegrass giving birth to an experience that will take you over!
Hi from Italy Brittany! Welcome on Femme Metal Webzine. First of all, I truly love your voice and your record! I was not much into this kind of music, but you really conquered me!
Ciao! Yay for allowing yourself to be conquered! :) And thanks so much.
May you introduce yourself to our readers? How was the band born?
Sure! My name is Brittany Hölljes and I am one of four vocalists in Delta Rae. The band was a dream of my brothers’ (they are the two male voices in the band) who have been writing music together since the were 10 and 12 years old. By 2008, they were writing songs that they knew needed women’s voices. So they emailed Liz in Peru and called me, in Italy, (Firenze! I loved it!) and asked us what we were doing in the fall of 2009. By the next September we had all moved into a big fixer upper in the backwoods of Durham, NC. We found Mike and Grant in the local scene and asked them to join up. And thus Delta Rae was born!
Your main influences?
As a band, we’ve drawn inspiration from Fleetwood Mac, Mumford & Sons, Coldplay, Bruce Springsteen, Sweet Honey in the Rock, Billy Joel and Jeff Buckley and even Les Miserables and Jesus Christ Superstar. Our influences are as varied as our sound.
Have you got a formal music education?
The only member of our band who was formally educated in music is our bassist, Grant Emerson, who went to UNC-W. Mike grew up in a very musical household, his parents are both full-time musicians and music teachers. And Liz’s dad was a fantastic vocalist/musician/songwriter, she totally got his ear and voice. The three siblings grew up in a house of artistry and creativity, but neither of my parents are particularly musical. We all learned to sing by belting along to our parents’ awesome ’70s albums. Eric taught himself piano when he was 7, Ian picked up guitar in college. I think one of the reasons we work so well together is that our music isn’t about technicality as much as it’s about feeling, it comes from our guts.
Speaking of writing, how does a Delta Rae track come together? Your vocal harmonies are great!
My brothers, Ian and Eric, write all of Delta Rae’s songs and I don’t think I will ever get over how original, honest, and smart their writing is. It never gets old. They usually start songs on their own and once they have the bones of it, they’ll bring it to the rest of the band to flesh it out. The harmonies are the backbone of the band’s sound. They usually just fall right into place.
What are the inspirations you draw from to write lyrics? Sometimes I get a mysterious, like magical vibe!
Wow! That’s a big compliment. Thank you! I think Delta Rae is capturing something that truly is magical. Our songs can be warm and euphoric, but we also embrace their darkness and mystery. Our songs are stories, usually about our lives, our history, our families, and our ghosts. Their origins are earthy and we sing and play them viscerally and with abandon. For us, music and magic go hand in hand. Then again, I DID study paganism and astrology in college, so this kind of talk is my jam… you don’t even wanna get me started ;)
You are two brothers and one sister. How does the all-in-the-family vibe affect the work you guys do?
I think it has been a really helpful thing for this band. We love each other of course, but the really key thing is that we three siblings also LIKE each other! We fight sometimes, but I think it only serves to make us a stronger unit. We fight because we care. I personally wouldn’t be doing this without my brothers, they are my inspiration and my whetting stones, and I am always myself with them around. I’m really lucky.
I have watched a lot of your live clips on YouTube, your show are great! What can your audience expect?
Thank you! I’d say audiences should expect a swampy-stompy, sing your lungs out, punch in the face, tongue-kiss of a show! You’re hearing four-part harmony, banging on trash cans, melodic piano riffs, driving guitar and bowed, electric upright bass. It is A LOT of new sounds and to spice things up even more, we have four lead singers. So we keep the audience on their toes. At the same time, our main goal is to bring people in emotionally. We bare our souls on stage. Overall, it’s a roller coaster. I always feel electrified after shows, I hope we are doing the same for our listeners.
I can hear a lot of Southern influences, how your hometown, its history has influenced you?
Well we have kind of a unique story. The three siblings grew up around the south until we were about middle school age. Then we moved to northern California where we met Liz. Liz is a chameleon and could travel anywhere and fit in, but the Holljes kids always felt like we would be drawn back to our southern roots. So we planted the band in Durham, NC, where Ian and Eric were born, and where our mom spent her whole childhood and college years. Our sound definitely has southern flavor, we pull on elements of bluegrass, gospel, country, and blues. Going back to the question of magic in our music, I think we also live in a part of the country that has magic in its nature. Just being in a place that’s home to huge summer thunderstorms, gobs of fireflies and kudzu devouring whole forests, has an impact on our sound. Epic yet cozy. Warm but mysterious.
The “Bottom of the River” video. How does the song’s subject matter relate to the video?
Well, in truth it doesn’t, aside from the dark, swampy, stompy, southern vibe. The lyrics of the song tell a baptism/exorcism story of a woman trying to rid her son of a “demon” by drowning the evil spirit, but drowning her son in reality. When we were thinking of concepts for the video, a witch trial seemed like a good parallel story, as women used to be tortured and killed when accused of witchcraft and associating with the devil. Our video however, is infused with serious lady-power, and I, the witch, get the better of my accusers… that makes the video MUCH more fun!
I know you performed on Leno on 25th June, how did it feel?
I can’t say enough for the people who work on The Tonight Show and Jay Leno himself. They were all SO nice and they made us feel very at home. That being said we were all still sick with nerves and excitement! It was just so surreal and such an honor. I was relieved that we sang “Bottom of the River”, which is a song we have performed thousands of times. On the street, on boats, in subways, to no one, and to thousands, so it’s ingrained deeply in us. Even national TV can’t phase that ;)
I found the song ”Rain Down on Me” on YouTube. It is amazing! Do you plan to release it in the future, maybe together with some of your cover songs (I love “Rolling in the Deep”)?
So glad you like it! “Rain Down on Me” is one of our absolute FAVES! We are definitely putting it out someday, though I don’t know when yet. I don’t know if we will ever get a chance to record or release covers, we have so much original material that we’ve got to get out into the world first! But I love singing “Rolling in the Deep”. That song is tough! But the soul is palpable. If we do record any covers, you better believe we will put a Delta Rae spin on it and it’ll ooze soul!
Have you thought of hitting Europe somewhere in the near future? I would love to have “Carry the Fire” released here.
WE WOULD TOO! We are hopeful that there will be a European release but we are still focused on the States for now. It would be an absolute dream to travel through Europe, singing what I think is very authentic Americana music and I personally would LOVE to watch the emotionality of our music cross cultural and lingual divides.
That’s all, Brittany! Thank you for your time and all the best!
These questions were so thoughtful and fun to answer. Thank YOU!
Photos by Shervin Lainez & Smallz and Raskind
Interview by Robin Stryker
Femme Metal is here with Seven Kingdoms, a power metal band from Florida that ROCKED the stage last night at the Mid-Week Mayhem show at ProgPower.
Hi guys! We were obviously blown away by your announcement last night that Seven Kingdoms will be opening for Blind Guardian on their North American tour. Please tell us about that.
Camden: You start, Keith. What do you feel, man?
Keith: It feels good!
Sabrina: It’s an opportunity that we used to dream about and say, “Yeah, one day we’ll do that!”. But we never believed it.
Camden: It’s funny, I used to joke with Kevin that our first tour was gonna be with Blind Guardian because that was the most RIDICULOUS scenario I could ever possibly think of. And then, it’s just funny that “Hey Kevin, we’re going on tour with Blind Guardian!”
Keith: Blind Guardian has been one of our biggest influences and has been Kevin’s favourite band since he was like 16. And it’s always been one of my favourite bands, so it’s an honour.
Is this going to be Seven Kingdom’s first big, nationwide tour?
Camden: We did a stint in Florida that was just playing as a glorified local band for seven days. It was tough, with barely any people coming and still paying for it.
Sabrina: We had a bunch of good bands with us. It was pretty much like a week-long party, is what it really was.
Keith: It was fun.
Camden: It was fun. I had actually booked a tour package of locals and it was Seven Kingdoms, From the Throne (a melodic metalcore band) and Demise of All Reason which is just a ridiculous death metal band. I booked them because they were probably all the best bands in the genre in their own rights from Florida and they work hard. Sadly, neither of those bands exists anymore. I mean, I actually fed and got gas for three local bands through Florida … basically through three shows with the guarantees. Yuengling went to the bars and put drink specials up and got T-shirts printed for us that we still sell. (laughs)
Sabrina: Yeah, we’re still trying to get rid of them.
Camden: But yes, this will be our first legitimate tour.
Let’s rewind a bit, since we jumped into the interview without everyone first introducing themselves. Please introduce yourself and tell us what equipment you rock on stage.
Keith: My name is Keith Byrd and I’m the drummer. I play on a new Yamaha sparkling oak drumset.
Camden: I always say that I live vicariously through Keith because I always wanted to be a drummer.
Kevin: My name is Kevin Byrd, I’m a guitarist. I play an ESP guitar with Engl Powerball amp heads.
Sabrina: I am Sabrina Valentine and I sing on a Sennheiser microphone with a Shure in-ear. I like to stick gems and glitter over everything I have. J
Camden: My name is Camden Cruz. I play Bernie Rico Jr. guitars and Krank amp heads.
Kevin: Yes, “Seven Kingdoms” is much more power metal, as opposed to “Brothers of the Night” which was death metal influenced and more thrash. Of course, there is thrash and some death metal on the new album, but it is more melodic power metal.
Keith: Before “Brothers of the Night”, me and Kevin had just joined, and we didn’t write any of the songs except for “Blackwater Rush”. Camden and Bryan had them all written. We just came in, learned them, played live and went to the studio. On the next album, was when we all collaborated.
Camden: “Seven Kingdoms” is what happens when you actually try. I mean “Brothers of the Night” was literally me and in our off time trying to write … the drums were fake, the guitars were recorded at my home with a computer mike that was the size of my thumb. We took it to Morrisound Studios because Jim can fix anything, just because he is JIM MORRIS.
Sabrina: A very awesome guy!
Camden: We tell him that he is a living musical deity in every interview that we ever do.
Sabrina: You want to know how much Camden likes Jim? He made a shirt that says “Jim Fuckin’ Morris” and wore it to the studio.
Camden: And on the back it says, “You’re out of tune”. Jim can be listening to a full mix and say, “The bass is out of tune”. You drop all the tracks and sure enough, the bass is a quarter-step flat. He has got ears like a dog. It was just a fun project. No one in Florida does that kind of music or even attempts to do it. We could start seeing the reaction in people live, sort of like “Oh this is pretty cool!” So, I wanted to get a little bit more serious with it, especially after seeing what Kevin and Keith could do. I sort of thought to myself, “I just wasted some money at Morrisound on that first album”. Nevertheless, we got serious. At that time, Bryan really didn’t want to be serious, so he left. It was funny, I actually started dating Sabrina three or four months beforehand and had no clue that she could sing … not even one slight clue that she could sing.
How, then, did Sabrina wind up as your vocalist? Sabrina, it seems from your MySpace that, when you first stepped behind the microphone, you felt very nervous and uncertain about becoming a singer.
Sabrina: It’s a totally different style. I have grown up as a bluegrass and country girl and with Christian-oriented music, and had never heard any of this type of music. Right now, everything is still brand-new to me. It’s like, I’ve never even known that this music was out there because I was in a little bubble. The Christmas of 2008, Bryan quit seven days before we had a show at either the Dungeon or Pegasus Lounge. (I don’t remember exactly which venue it was). Then Camden said, “We need a singer”. He had been messing around on the computer one time when I was over there … I think it was the part for “Open the Gates”.
Camden: No, it was the part in “Somewhere Far Away” before the solos. The ooooooooo parts. I was like, “Okay, it doesn’t take lyrics. You’ve got ten minutes, I wanna try this”.
Sabrina: Camden was like, “Let’s see what you can do!”. And I just did something.
Camden: And it sounded exactly like it does on the record.
Sabrina: Camden’s mom walked in, and she was like, “Camden, I think it’s obvious, what are you doing?!?”. I just ooooo’d, that is all I did.
Camden: It was just timing. Bryan didn’t want to do it because he had other things going on. Bryan did most of my Florida Power Fest stuff while I was here in Atlanta for ProgPower, so I’m still really good friends with him. It was perfect timing … it just lined up. We went to karaoke and Sabrina goes up and sings Journey. You know when you see something and it just clicks? You’re rubbing your hair back, like “Oh my God, why didn’t I already know about this little unpolished gem?!?”.
Sabrina: I had never done anything like that before. Karaoke bars were the only places I ever sang, besides in church. That was it.
Camden: I thought I had a crash course in doing this because I’ve only been doing this kind of music since the beginning of Seven Kingdoms in 2007. I was in a breakdown band before that. I just didn’t really want to do it anymore. This girl right here, she has gotten the crash course of all time.
I will say that one of the interesting things in reading the reviews of “Seven Kingdoms” is that your music is compared to Iron Maiden, Iced Earth, Blind Guardian, Hammerfall and Amon Amarth, as well as Sabrina’s layered vocals being compared to Paul Stanley of KISS. Normally, with female-fronted groups, there is a predictable group of bands — Within Temptation, Nightwish, Epica and Lacuna Coil — that everyone is compared to.
Camden: Yeah, I read that review comparing Sabrina to Paul Stanley. That’s what happens when you put Sabrina and Jim in a room for ten minutes and we don’t have time to do backing vocals over it (laughs). So we’ve got to make it sound good as we are running out of time. I guess Paul Stanley did that at one point on a KISS record.
Do have any thoughts on why it is that Seven Kingdom is compared to the core power metal bands, with gender being taken out of it? People obviously comment on the fact that Sabrina is a woman. But when they are talking about the music, the comparisons are to male-fronted bands.
Keith: It’s like we play male-fronted music but we have a female singer.
Sabrina: That and because my background is something else. I seriously would be one of those singers who could go to a karaoke bar and imitate ANYBODY in that karaoke book. And I could sing just like them. It was to the point that I didn’t even know what I sounded like. All of the influences through my entire life are in my voice … it’s like everybody in one. That’s why everybody has a hard time saying what I sound like.
Camden: Keith and Kevin are power metal elitists. They don’t listen to anything but that. So, we live, breathe, eat, and defecate power metal. Seriously!
Keith: We started out with Metallica and Slayer. Me and Kevin were into thrash metal bands, then went onto Iced Earth and Blind Guardian with the epic-ness. We just mashed it all together.
Sabrina: It’s everything we like, combined in one album.
Let’s talk some about the writing of the album because I understand that “Seven Kingdoms” was more of a collaborative effort that “Brothers of the Night”. So, who did what?
Sabrina: It was sort of a family event.
Camden: Me and Kevin babied the guitar stuff … he had an idea, I had an idea, make it work. He’d say, “I think we should change this” … it always works. I would say, “I think we should change this” … it sometimes works.
Kevin: We would come up with an idea and present it to the rest of the band. We would all then work on it. There was certain stuff that we wrote individually.
Keith: Kevin did most of “Into the Darkness”; Miles did most of “Eyes to the North” and Camden did most of “Wolf in Sheep’s Clothes”, “Seven Kingdoms” and “Somewhere Far Away”.
Sabrina: Then Keith and I worked together on “A Murder Never Dead”. He did the piano, and I did the lyrics.
Camden: I’m trying to figure out what is the most collaborative song on that record.
Sabrina: It’s got to be “Open the Gates”. We all sat down and were in the practice room for I think five hours writing lyrics.
Camden: We had written that song with Bryan, but we had to re-do lyrics. That was our first time and we were like “Oh my God, we have got to do lyrics. None of us know how to do lyrics”.
Keith: That was the first time we really ever wrote lyrics because Bryan usually wrote all of them.
Camden: He is a great lyricist, a fantastic lyricist.
So who did most of the lyrics on “Seven Kingdoms”?
Camden: I wrote a lot of them. Kevin did some, Sabrina did some. And everybody had their part in changing little things here and there. Especially now, where we’ve started brainstorming ideas for the next record … when Kevin presents an idea, it is damn close to perfect. Seriously, we’ll just put, “Keith: cymbal grab here and put hits with it” or some ridiculous thing.
Keith: Anything to make it bombastic.
Camden: We’re lucky because I click with these guys good and I’m pretty sure that they click with me.
Sabrina: They are to the point that they don’t even have to talk.
Camden: We are to the point now that it just happens. “Oh, try this one tiny little thing..” and that’s it.
“Brothers of the Night” was inspired by George R.R. Martin, the writer of the fantasy series “A Song of Ice and Fire” …
Camden: I will totally take credit that we did that before Blind Guardian did! I will milk that until the edge of time.
Hear that, Blind Guardian?!? The “Seven Kingdoms” album also has strong fantasy themes like the Norse myth about the revenge of Rangnar’s sons. Is this a concept album?
Keith: Bryan wrote the last album, which was a concept album.
Camden: It was the album to the first book of that fantasy series.
Keith: The “Seven Kingdoms” songs that we wrote, we tried to make up our own kind of story. We didn’t want to stick with the same concept (with our name being Seven Kingdoms), so we used a different story.
Camden: We had to stick with the same name because we had been a year-and-a-half into it already. I don’t want to say that it is generic fantasy, but it is very open. I like doing lyrics that people can take a lot of different interpretations on. Because then it makes people think.
Sabrina: When we started this album, we wanted a new beginning. We feel like “don’t every let anybody hold you down”. So there are a lot of songs on there that are us sticking up for ourselves.
Camden: It’s power metal. You’ve got to have the fairy dust, swords and castles. You got to have some of that stuff. It’s not cool if you don’t have that.
In your own minds, do you have a over-arching story for “Seven Kingdoms” as a whole, or is each song its own story?
Camden: It was cool for me because I’ve never written lyrics before. My mom is a fantastic writer, so there has got to be something in my blood. (Or not, someone tell me please). It was a challenge and I like challenges. I did “Seven Kingdoms” and that took me a full year. We did the whole album and then the song “Seven Kingdoms” I worked on the entire time before presenting it as a whole to these guys. “The One Who Breathes the Flame” actually happens before “Seven Kingdoms” takes place.
Keith: There are a few songs on the album that are a concept and tell a story. But we put songs in the middle, talking about whatever makes you happy. Enpowering songs.
Camden: Yeah, nothing negative. You can get what you want from it, pretty much. I take from it: Do what you can do. Don’t ever let anyone tell you that you can’t do it, because you can. Work hard to do it. Just because we live in America, don’t tell us we can’t make it in power metal. Plain and simple.
Keith: Two years ago, Camden was always saying, “We’re going to play with Blind Guardian”. And I was like, “You’re so fucked, Camden!” (everyone laughs). And two years later, here we are.
Sabrina: When Kevin got the phone call, I think he hung up on Camden.
Did he think Camden was just yanking his chain?
Camden: Of course! I have ridiculous scenarios that I work hard at to make happen and if it doesn’t happen, the worst they could say is “no”. If they say no, then I’ll work on something else. I remember calling Kevin, and he said “I’m not believing it until I see the paperwork” and then he changed the subject. Alright, I can’t argue with that.
Keith: I won’t believe it until I am on stage with them.
Camden: We still don’t believe it and are dishing out money to something that hasn’t happened yet. I’ve got contracts for it and I’ve got itineraries for it. But it hasn’t happened yet. I’m sure the first day we show up, it’s going to be like “WHOA!!!!”
Blind Guardian is playing some BIG venues.
Camden: I think the biggest one on the road is a place in Canada that holds 2100 people.
Sabrina: Apparently, one of them looks like an opera house. It’s BEAUTIFUL.
Camden: Yeah, it’s gorgeous. There are some of these built in the early 1800s places … just massive.
Sabrina: If you go online and see the venue …
Keith: Perfect for power metal!
Camden: Perfect for Blind Guardian.They can’t just play in a normal venue because they are BLIND GUARDIAN. If Hansi is listening, I heard they turned down the Lord of the Rings soundtrack. That would have made everything in this band a lot easier, because power metal would have been famous in the United States. And then we wouldn’t have had to bust our necks to get there. Why did you do that, why?!?
Sabrina: They didn’t have enough time.
Keith: But then, I wouldn’t have it any other way.
We really appreciate Seven Kingdoms donating a song to the “Beauty and Brutality” charity compilation released by Femme Metal Records. Why did you pick “Somewhere Far Away” as your track?
Keith: That song, whenever we played it – at least from what I’ve seen – that seems to be everyone’s favourite song. Everyone I’ve showed it to, it seemed to be their favourite.
Sabrina: It was between “Somewhere Far Away” and “Into the Darkness”. Those are the two that everyone seems to respond to.
Camden: It’s the opening track! It’s heavy, fast, catchy, and power metal. Probably what you are going to hear on the next record is more stuff like “Somewhere Far Away” and more epic stuff like “The Bloody Meadow” from the first album or “Seven Kingdoms” from this one. Just basically take all the good parts from this record, add some spice of new stuff, and basically just improve over all. We have some new stuff we’re already working on. Our goal is to completely blow the doors off of anyone that listens to it. We are going to try to make it ridiculous. Actually, “Into the Darkness” is on the ProgPower compilation that people will get at the show. I’m curious to hear the remaster because apparently they remastered it.
Keith: You learn something new every day.
You are starting with your first tour being with Blind Guardian. What is the next milestone for Seven Kingdoms?
Keith: Edguy, Manowar!
Camden: Manowar? Yeah right, Joey DeMaio would probably charge us $100,000 to play one show with them.
Sabrina: Oh my gosh, if we could Edguy or Avantasia, I think we all would just faint on the floor.
Camden: I want to play Wacken in the next three years. That’s my goal, to get us on Wacken in the next three years. Somehow, someway, I will figure it out. Maybe if we impress Hansi enough he will hook it up? I will buy Hansi as many Star Wars dolls for his Christmas tree as he wants, if that happens!
Sabrina, how about you … what is your ultimate, when you can just dream big?
Sabrina: Since I was three years old, the only thing I wanted to do was sing. And pretty much, if we can sing successfully and play successfully and be happy in what we do, that is all I care about. If people like our music and we go far, that is amazing to me. But as long as we love what we are doing, that’s what I want for us. I have no idea how to comprehend what is going to happen. I’m not used to this at all … I’m used to being in karaoke bars, and that’s it. People cheer at karaoke bars, but they’re all drunk. So, it’s like I go to a show and people are still drunk, but they actually LIKE the music. I just want people to like it, and I want us to go far. That’s all I can ask for.
Kevin, in your wildest dreams, what would be your biggest goal?
Kevin: I guess the Blind Guardian tour. A huge European tour would be amazing. That would definitely be a dream come true. For a dream line-up? Blind Guardian, Avantasia, those are some of my favourite bands.
Sabrina: We kind of surpassed everything. That’s what you do, you reach for the stars. And I guess we caught one with Blind Guardian.
Last, but certainly not least, Keith?
Keith: I’ve had these goals set since I started with the band. My first goal was to record an entire album at Morrisound, and it happens. Next, I wanted to go on tour with Blind Guardian, and it happens. So I’m trying to think of what I want next.
Have you ever thought that you might be the good luck charm for the band? Would you like to wish that I win the lottery? That would be REALLY nice, actually.
Sabrina: I wish we could get somewhere by somebody actually helping us. I got in a car accident and have no money and Camden got a pay cut.
Camden: We’re strapped for cash. I don’t even know what I would do, if one day we got a label to pay for our record or we were able to sell enough CDs to just go to Morrison and do what we like … for free.
Sabrina: We were so excited last night because we had a dressing room and it was like 3 metres square. But we were so excited because we had a DRESSING ROOM.
Camden: Oh my God, someone gave us a CASE OF WATER.
Keith: We got a Post-It Note on the door with our name on it too.
Sabrina: And then they brought in free beer. We were even more excited.
We are coming to the end of our time together. Do you have any final words for your fans at Femme Metal Webzine?
All: Thank you!
Sabrina: Please come support us.
Camden: Please buy a CD on the road because otherwise we’re not going to get from point A to B.