Interview by Miriam C.

This time I’ve sit down with miss Autumn for drink  a (virtual) tea, jokes aside, I have had the honour to speak with the last eclectic genious of our century. Ok, sound tacky and not true but it’s really what I think and you know that I always try to be sincere with you all, dear readers. Eclectic because she’s the true tightrope walker of the arts, she can switch from music to writing a glimpse of an eye. Genious, sorry but I really need to explain why? Now prefere sitting in the corner and leave to her the word. For such person you have only to learn to fight and never surrender. Emilie is a true life’s inspiration.

Hi Emilie first of all thanks so much for accepting this interview, I’m really honoured. I hope everything is going will with your American tour!

Hello, it’s my absolute pleasure to sit down for tea with you today.

I’m gonna starting, before all, asking your about your book (that’s already at 3rd edition, congratulations!) “The Asylum for Wayward Victorian Girls” that finally is out (again) to buy on your official shop, what details can you share about its genesis and the plot?

Thank you very much, that’s very kind! Yes, the book continues to do very well and I am so grateful that so many people find this a story worth reading and making a part of their lives. It’s truly incredible to me, since it is released independently and is only available in one place – my shop website (www.asylumemporium.com). For those who don’t already know the story, this book is my autobiography of my time spent imprisoned in a mental hospital, but nothing is exactly what it seems, and the story quickly becomes a sort of fantasy, time travel, adventure, mystery novel that is actually quite a lot of fun to read. It is this story that’s behind everything I do, from the music to the stage show, and this book has become the “Harry Potter” to the Plague Rats (the name for my audience) — the bible of this whole Asylum world that my art and life takes place within.

Emilie, your musical training lies in the classical music. How are you able to merge your classical side with the “industrial” one?

Once one stops thinking of music as being divided up into individual categories, each appealing to only one individual audience and begins thinking of it as just being a collection of sounds that blend well to accomplish an emotional purpose and tell a story, then it all becomes so much easier. Throughout the history of art, the way any new art form has evolved is that somebody put together things that traditionally didn’t fit and simply made them fit until they seemed natural.

Despite being an artist, performer, writer - you’re also a fashion designer. Congratulations for your dresses, I really love them. From where you take your inspiration and you never thought to create a dressing line for debut in such fashion events like Milan, Paris & New York?

Thank you so much for the compliment! The inspiration behind all of our costumes on stage is really quite simple, in that, just like the music, it’s a blend of the old and the new, and then some fun fantasy bits that don’t belong in any particular period but the imagination. Now that we have entered into a new era of performance with the “Fight Like A Girl” album and tour, I’m enjoying the new tribal elements, the warrior elements, the mohawk hairstyles and the bits of armor I am working today to incorporate. I’ve been sewing the new costumes before talking to you, and will get right back to work at it afterwards.

Now let’s pass again into the musical side, on 2010 thru Twitter you have unleashed the title of your forthcoming album “Fight Like a Girl”. It’s really a strong title, what you can unveil about its creation?

The title of the album is meant to inspire a very strong reaction, and it does so because, even in this modern day in 2012, the phrase “you fight like a girl” is still used as an insult to boys, and to ridicule girls, and for absolutely no logical reason other than the misogyny that still infects our globally patriarchal culture. So, to those who are evolved and honor the feminine and are aware of her innate power, the title will immediately seems like a very positive thing, while to others who were taught that to do anything “like a girl” was a bad thing, the title will be more challenging, but this too is good. Art is about changing the way people think – not making people comfortable with what they already think.

I got really impressed by the statement that you have released for the PRs about F.L.A.G that says : “This record is my soundtrack. Of course, there’s an overriding story arc. It’s a social critique of the mental healthcare system spanning from the 19th century all the way up to the present, as well as the inequality women still face worldwide, whether they’re crazy or not. I’m drawing upon my own personal experience as a notoriously bi-polar person who has been committed and lived to tell the tale. Hopefully, my story will give strength to those who need it, and raise a little awareness.” - Did you have done some historic research for write down your lyrics? Also I would like to now if do you have a personal heroine that inspired you. Or you consider yourself the only and ultimate inspiration?

My great passion is history, and so, because it is what I love, I’ve done a whole lifetime of historical research, and will continue to do so, because it is what I study constantly. I certainly wouldn’t feel I had any right to speak about things like gender issues or the treatment of mental illness if I hadn’t the historical knowledge to back it up, and, also, it is by looking at the past that we discover how we became who we are and see where we can go in the future. There are so many strong women throughout history that I thank and am inspired by, from ancient rulers to early feminists, but I am even more inspired simply by the women I know, those around me, especially my Bloody Crumpets, Veronica, Contessa and Captain Maggots. These three ladies are the strongest, bravest, most talented and inwardly beautiful women I have ever known, and they inspire me every day.

Reading here and there I’ve knowledged that a Broadway musical taken from your “The Asylum for Wayward Victorian Girls” book is taking life. Have you any details that you can share?

I am very happy to be able to finally announce that Darren Lynn Bousman has officially accepted the role of director of the musical, so, between him and myself, this will definitely be a musical like no one has ever seen.

Also you have managed to put up your own imprint, how’s it to be the enterpreneur of yourself? And why going solo? I mean your were onto Trisol, one of the best industrial label that I know. No more faith in the record companies?

Ha, yes! Definitely no more faith in record companies. None. I’ve been burned too many times, and have been stolen from, and have lost too much money that could have gone into my show or my work. All of my music and books from this point on will be under the label of The Asylum Emporium.

What you can tell me about Darren Lynn Bousman and Terrance Zdunich’s upcoming project “Devil’s Carnival”. How you got in touch with the creators of the show and how happened to get involved into this project too?

They got in touch with me, actually. About a year and a half ago, I was on tour, and Melissa, my excellent manager, was contacted by Darren about this project. To be perfectly honest, I didn’t know about Darren and Terrance, I hadn’t seen the “Saw” films (even though I do have some songs on their soundtracks), and I hadn’t yet seen “REPO! The Genetic Opera”, so I didn’t know what to think, but something about the very passionate way Darren talked about this project made me curious to know more. I very quickly became close friends with both Terrance and Darren, and, before I knew it, I was a part of this carnival family, and acting and singing in this magical, amazing film project with so many other wonderful actors and performers. I’m very proud to be a part of this film, and the best part is that we are soon going to begin filming for Episode 2!

The majority of people that listen music recognize that classical music as an elitist music. From your own side, do you think that with your music are you helping to “unhinge” such prejudice?

I really do feel that way, and I’m so glad and grateful to be in the position to encourage people, especially young people, to feel differently about something I hold so dearly. But the magical thing is that I don’t really have to do anything other than make the music I make and let people come up with their own descriptions of it, or put it in their own categories. Those that enjoy my music, either the songs with vocals as well as classical elements, or simply my classical violin recordings, like it because they like it. And they often find that they love classical music, and even end up learning classical instruments, like the violin, because they want to celebrate and be a part of that kind of music and the joy it gives. But it’s a very honest, non-judgmental approach. I’m not telling people they should like any particular thing, and so, when they do, it is very sincere, and they don’t even know that they “aren’t supposed to” like it.

What will be the difference between the “The Door Tour” and the upcoming “The Fight Like a Girl Fall Tour”, what will change in matter of dresses, scenography and set list? Also all your female companions like Veronica Varlow & Co. are confirmed for the shows?

Yes, Naughty Veronica, The Blessed Contessa and Captain Maggots will all be joining me onstage. They are such a beloved part of this show to our audiences that I think there would be a riot of some sort if they weren’t there! As I said before regarding the new costumes, we are definitely incorporating more of a tribal warrior element into both our look and performance, even the choreography. This next chapter is all about the war for freedom that takes place within the Asylum and the journey that we go from victim to victor. We want to take our audience on that journey with us.

What your next projects? - Including that fact that you have a lot on your plate, talking about the Broadway show, the film, a new book (a bird says me, right?) and new album to promote - what willbe your priorities here?

At this moment, the tour is the priority, but after that, my next two years will be spent mainly on the composition and creation of the Broadway musical based on the “Asylum…” book. It is an epic project that will take so much, but I think it will also be my greatest offering, and so I am willing to give it everything I have.

Emilie, thanks really so much to spend your time for checkout this humble questions that I’ve proposed to you, I hoped you have had fun replying in it. Feel free to greet our readers and your Plague Rats as you want. Thanks again!

Miriam, thank you so very much for your time and your great questions! And to all my dear Plague Rats, raise your paws and bare your claws, because we’re coming for you and it’s time to fight!

Links

MySpace * Facebook * Twitter * Site

Gig Review & Photos by Erwin van Dijk

Epica has released their new album and this evening is more or less the release party. And because Epica is sponsored by Jägermeister the first 200 visitors will get an Epic USB stick full of exclusive, rare and previously unreleased Epica stuff. Also, the band will play the entire “Design Your Universe” album at this gig. Like Kamelot and Megadeth last year the venue was indeed sold out and this resulted once again in a queue from the doors of the Paradiso to the Leidseplein (Leiden Square) The last time for me at the Paradiso was for CHIC and Jello Biafra. Jello Biafra is the legendary singer of the Dead Kennedys and CHIC is a funk/disco/rock band from the seventies. Two cool bands but the opposite of Epica so to say. This was the second time for Epica at the Paradiso. The first time was supposed to be released on DVD but all we got was a book: “The Road to Paradiso”. This was years ago and the band has grown since then. Kingfisher Sky is a nice band who had the honour to be the opener tonight. Every band in Holland will sell thesouls to the devil to do a Paradiso gig so this was for Kingfisher Sky the opportunity of a life time. The Paradiso might be one of the most prestigious venues in the Netherlands, it does not have the biggest stage and with seven band members and your own drum kit and keyboards next to all the gear Epica uses the stage was very cramped. But Kingfisher Sky managed to squeeze six songs in the little time they had. Kingfisher Sky had barely 30 minutes. To save the Polar bears there was no light on stage - good for environment but not for us. But there were no budget cuts concerning the use of smoke machines and this gave the gig a mysterious feeling which suited the music. Kingfisher did a good gig but personally I would not be in their shoes this night. Epica is way out of their league and even a band like Within Temptation should be worried right now with this new incarnation of Epica. In short, Kingfisher Sky is an ‘art house movie’ while Epica is popcorn entertainment for the masses.

Maaike, who plays the cello said about this gig: “Supporting Epica in a Sold Out Paradiso really was one of the best things happening in 2009, we had a blast and in our opinion it was over far too soon. Thanks Epica and Epica Fans”. From the first notes it was clear that this gig would contain the usual ingredients: smoke pillars, firework, flamethrowers, etc - enough to start World War III Visually it was a very entertaining show to see but, more important, the songs from Epica’s latest album are strong enough to keep their own against all that visual violence. Not many bands dare to play their entire album live (and if they do, like Iron Maiden, there is a lot of critic and / or negative response) but Epica got away with it. And Medusa, who the true Epica fans will remember from the 2008 autumn gigs, says : “We had a great time, it was very crowded and hot, but of course we added some heath as well :)”. Medusa would also show up at Metal Female Voices Fest, together with Floor Jansen. Like Jello Biafra a month earlier Mark did a crowd surf but while Jello did the full round from stage to bar and back again Mark vanished somewhere midway into the crowd. And the Jägermeister girls also had a small appearance on stage with an air pressure cannon designed to shoot t shirts into the audience. Funny enough a lot of those shirts ended up on stage again. Poor marksmanship I guess. A word about the album: Like the latest Leaves’Eyes I would say it is a save buy for the fans. It has all the ingredients for an Epica album and the fresh blood from the God Dethroned boys makes it more metal. Epica did not reinvent themselves with this album. They took the best parts of their music and improved them even more. And, if I am really honest, this gig was better than the one at Metal Female Voices Fest.

Links

Epica : MySpace * ReverbNation * Facebook * Twitter * Site

Kingfisher Sky : MySpace * Facebook * Twitter * Site

Interview by Robin Stryker

Femme Metal chats with Edera, vocalist and lyricst for Italian metal/rock band Domina Noctis, about their sophomore release “Second Rose”. Read on to learn what the moon, Cher, poetry and a love of contradictions have in common.

Hi Edera, please tell us about the newest release from Domina Noctis, “Second Rose”.

I would define “Second Rose” a melodic rock album a twist of electronic sound and some metal grooves. For us, this album is a sum of all our influences, from dark/pop/rock music of the 80’s and early 90’s, to metal; we’re definitely inspired by Paradise Lost and Katatonia just to name a few.

The ten-track album includes covers of two iconic songs, “Because the Night” (Patti Smith - 1978) and “Bang Bang” (Cher - 1966). Why record covers, and why these particular songs?

We love to find some covers that fit to our sound. Covers are an incredible source of inspiration and we always learn a lot more about music every time we play a cover. We all in the band are huge listeners of music of any kind! That’s why our covers are from different scenes and years.

Which songs have the most personal meaning for you?

“Exile” is definitely the song that moves me everytime I listen to it! It’s a song about those times in life when you’re feeling fragile, like you need to heal some wounds, so you need to be alone and you feel comfortable like that, but you also need a lot of patience from the people you love, to gather some force inside and the be born again. It’s a message of hope.

How has Domina Noctis’s music evolved in the three years since releasing your first full-length album, “Nocturnalight”?

When we recorded “Nocturnalight” the songs included in the album were sounding “old” yet for us because the whole recording/mixing process lasted 1 year and of course the style and sound of a band evolves in 1 year. Recordings are a true “gym” for a band and for each member. You learn a lot, and hopefully, you improve. So, during the promotion of “Nocturnalight” we were still playing live some of the songs that have been included in “Second Rose”, as we couldn’t wait to have a feedback about them. “Second Rose” is a rock album, we focused on the structure of the songs and on the arrangements, with the precious help of our producer Cristiano Santini from Black Fading (our label). We wanted the songs to sound solid yet full of emotion, rock and melodic, dark yet full of light too, because we are like that, we have both sides.

Can we expect a third album? If so, where are you in the process of writing and recording it?

We started to write new stuff during the recordings of “Second Rose”, we’re now working a lot on the new songs and we love them!

Please introduce the other four members of Domina Noctis.

Asher plays guitar and composes most of the music; Azog plays bass; Ruyen plays synth & piano; Niko plays drums.

Are you or any of your bandmates involved with other bands or side-projects?

Asher plays drums in Forgotten Tomb and in Whiskey Ritual and Azog often plays as a live sessionist for Whiskey Ritual; Niko plays drums in the band Noctiluca. Ruyen is currently working on some compositions and he’s planning to record a promo cd very soon for his new side project. And about me, I’m working on an acoustic live set project along with Azog and Ruyen, way too soon to say more anyway.

In addition to being a musician, you are also a photographer and graphic artist. Have you been able to use your talents as a visual artist with Domina Noctis?

Well I guess I have the bad habit of doing too many things! I love to “move” through different art “levels”… I’ve been creating the artwork of all our CDs, band merchandise and band logo too. I like to express the same concept through music and through visual arts too, and I had the chance to do so during the creation of “Second Rose” CD layout, digitally working on a self-portrait I took some years ago.

References to the moon appear in the band’s former name -The Moontower- and current name (Latin for the moon), the title of your first album, song lyrics and your artwork. Does the moon have special significance for you?

We feel very attracted by the moon, a sacred symbol that reminds of feminine, poetry, night… I think we’re definitely “moon worshipers”!

The phrase, “I love my contradictions”, is intriguing. What does it mean?

I know it may seem just a contradiction itself! Okay, maybe it’s just insane, or maybe not, but anyway I believe that sometimes we should learn to love ourselves as we are, in our complexity, trying to understand that we’re made of many shades, white, black, and many tones of grey. It’s such a revelation when we finally are able to accept these apparent contradictions, only when we’re able to say “I have white parts and black parts and grey parts because that’s what I am, that’s human” and then we start to love those different parts.

If I understand correctly, you write the lyrics for all the songs and Asher writes the music. How does this collaborative songwriting process work? Lyrics first and then music, or vice versa?

Usually, Asher composes some riffs, he tells about his ideas and all together we have a session in the rehearsal room. During this session I try to sing whatever it comes to my mind, and write down a draft of the lyrics. Then, as soon as the melody takes shape, I work more specifically on the concept, to make melody and words fit together. Then we always work together on the song structure and on the arrangements. I have to say that in some of our latest compositions we tried to work in the opposite way: I’ve been singing a melody, and after the guys worked on the arrangement of the song.

Asher and you have been musical partners since Domina Noctis began a decade ago, yet your musical influences (and perhaps even taste) seem worlds apart. Does this ever create conflict, or does it make life more interesting?

Asher and I have different yet similar taste as music listeners, for instance there is a lot of music that we both love, yet sometimes for different reasons. As composers we are really lucky because we both have a precise idea about how our songs have to sound like, and this idea has been evolving through the past 10 years, but I can say it has been a co-evolution for sure, because we rarely “argue” about songs! We always try to make the song to sound in a way that pleases both of us.

Congratulations on having your poems published in the anthology, “Carmen Nocturna”. In what ways are writing lyrics and poetry similar or different?

Thank you! I had the chance to gather some of my poems in this little book “Carmen Nocturna” and I was really happy about that. I really love “minimal” poetry, I usually write really short poems. Writing lyrics and writing poems are two really different things to me. When I write lyrics, I always write words and melodies together. It’s very hard to tell what I feel inside, but it’s like specific words in my mind need a melody, and the melody needs some specific words, and suddenly they find each other fitting. I love this mysterious process.

Many years ago, you said that Domina Noctis probably would not perform songs in Italian. Now that you’ve written poems in Italian and been a guest vocalist on In Tormentata Quiete’s new album, has your opinion changed?

My collaboration with In Tormentata Quiete has been a beautiful, inspiring and really interesting experience for me: to sing in Italian was a new challenge and the songs were really beautiful. Still, I’m not convinced about writing my own lyrics in Italian, I’m not sure that our language would fit to the sound of Domina Noctis. Anyway, maybe we’re going to make some experiments. Who knows?

How did your collaborations with In Tormentata Quiete, Kalevala and Dark Princess come about?

I’ve got in touch with Antonio Ricco, composer of In Tormentata Quiete, many years ago via email, and we traded our demo CDs. After a long time, we got in touch again and he asked me to sing some songs in their album. I was really happy to have the chance to make this collaboration, I love to try and express myself in different ways, and as I said it was a great experience. Kalevala is a folk metal band from our city, the band members are all friends of ours and I had the chance to play with them as a guest in some acoustic set concerts. I love their sound and folk music in general, and I hope to have the chance to sing again in the future with the band. About Dark Princess, after the reprint of “Nocturnalight” in Russia, we got in touch with the label of this band and they asked us to have a mini tour with them in Russia. It was a great experience for all of us, it was really great.

Italy is home to many exciting new female-fronted bands from every subgenre of metal — Elegy of Madness, Exilia, Winter Haze, Lunacy Box and Raving Season, to name just a few. Has the metal scene changed for the better? Do you think female musicians face different challenges than all-male bands?

Good bands are so many and female fronted are more! Sure, there are many challenges that a female fronted band have to face, like defying the commonplaces, like easy comparisons to famous female fronted bands, and for what concerns Domina Noctis, trying to break the cliché that female vocals + distorted guitar is gothic metal. I can’t stand this pointless reasoning, but anyway there’s a lot of people who don’t care about this stuff, and we’re glad to have those people as followers!

We’ve talked a lot about Domina Noctis and other artistic pursuits. What is your favourite way to just kick back and relax?

When I need some relax, I often watch a movie along with my boyfriend Ruyen, on the couch! I love cooking too, I find it really relaxing (when I’m not in a hurry)!

 Interview by Robin Stryker

As Halloween creeps closer on stealthy black-cat feet, my musical taste shifts gears towards darker fare, and you can’t get much darker than “A New Dawn…”, the sophomore album by German doom blues/dark rock band, Reactive Black. It’s like a triple-shot of espresso… dark and delicious but the bitter after-taste lingers. Femme Metal caught up with Sassy Skeleton and Rotten, the masterminds behind Reactive Black for a shockingly candid discussion about their music and their views on politics and religion. Read on, if you dare.

Label : GB Sounds

Review by Tony Cannella

Mallory Switch is the oddly named band out of Italy. Their new debut full-length release is simply titled, “Mallory” and among the 10-tracks and 46-minutes worth of music featured, the band display their style of electronic beats and sounds, some rap and industrialized hard rock music, all coming together under the banner Mallory Switch. The opening track “Business Television” brings the listener into Mallory Switch’s electro-world. That is followed by the bouncy, straight-forward song with the blunt title, “You Made My Shitlist” (this is my new favorite song title, ever!). The song alternates between being aggressive and techno influenced and is one of the more memorable tracks included here. “Dirt” keeps the momentum going, with an aggressive marching riff that just pounds away all the way through. Next track, “The Last Man on Earth” really stands out, thanks to the beat that is kept. This song also features a contribution from New York City based rap artist Beans (from the group Antipop Consortium). It is an interesting collaboration and one that works great. Audrey Lynch is the vocalist and guitarist for this trio and her vocal style has an infectious charm to it that goes along great with the music that is being performed. Other favorites include: “No Evil”, “Brand New World”, “Flow” and the final track “Mother Earth”, which is followed by 3-minutes of silence and then the dreaded unnamed, surprise bonus track. While not your typical metal release, “Mallory” still features some pretty memorable moments and Mallory Switch are a band that brings something a little bit different to the table. “Mallory” is a CD that mixes different influences, styles and ingredients. It’s all a pretty potent combination. I will admit that this is not what I would normally listen to on a regular basis but the songs on “Mallory” had me interested all the way through and it is just another example of how metal can expand horizons.

Rating - 80/100

Tracklist

1. Business Television
2. You Made My Shitlist
3. Dirt
4. The Last Man on Earth
5. No Evil
6. Brand New World
7. Flow
8. Evolution Machine
9. Mumbling My Time
10. Mother Earth

Line Up

• Audrey Lynch - Vocals and Guitars
• Zach Maier - Bass, Synth, Piano
• Kid Lynch - Drums, Samples, Programming, Background Vocals

Links

MySpace * Facebook 

Label : Savage Prod/Season of Mist

Review by Tony Cannella

This compilation is put out by the French web zine Des Filles et des Riffs and issued by the label Season of Mist. Featuring 34-songs and bands and over 2-hours worth of music spread out over 2-discs “Des et des Riffs” is packed to capacity and this is only volume 1. If you love female fronted metal, than this comprehensive compilation is well worth exploring. The main style that is put on display throughout this very thorough compilation is Symphonic and Epic type of metal bands. There is so much quality music to sift through on this comp and it would be a monumental task to go through each track song-by-song. The opener is one of the more familiar numbers, “Resign to Surrender” by Dutch metal legends Epica gets the ball rolling. Kells is next with very strong “Avant Que Tu”. Mixed in amongst the Symphonic metal bands are Pin-Up Went Down, Adrana and Diablo Swing Orchestra who provides a change of pace with their unique quirkiness. November 7 is a band that I have not been familiar with and their track “Parasite” turned out to be one of my favorites. Soulmaker (“A Vide”) and To-Mera (“Mesmerized”) are two excellent bands that are represented. Some other lesser known bands like Dharma, Pythia, E-Nora, The Veil and Ozge Ozkan are quite impressive as well. Some of the highlights that can be found on disc 2 are: Dama, “Rainy Roads”, Wildpath “Dark Mass”, The Birthday Massacre “Looking Glass”, Ellyose “Theogyne” and Factory of Dreams check in with “Slow Motion World”. In short, “Des Filles et des Riffs, Vol. 1” is nirvana for any female fronted metal fan. With so much great music made available to us it is quite difficult to stay on top of everything, so it is compilations such as these that provide a great service to metal fans. Mixed in with bands that you might be familiar with are other promising bands which you may not have heard before that also might be worth exploring. In that respect, “Des Filles et des Riffs, Vol. 1” is a resounding success.

Rating - 90/100

Tracklist

CD 1

1. Resign to Surrender – Epica
2. Avant Que Tu – Kells
3. Essence of I – Pin-Up Went Down
4. Nouvelle Ere – Interria
5. Closest To – Dharma
6. Try – The Outburst
7. A Vide – Soulmaker
8. Bulimiarexia – Eths
9. Crystal Eyes – L’endevi
10. Tristan – Pythia
11. Midnight Falls – E-Nora
12. Mesmerized – To-Mera
13. Labyrinth – The Veil
14. Parasite – November 7
15. Jerusalem – Atmosfairy
16. So Alone – Iridyum
17. My Cold One – Ozge Ozkan

CD 2

1. Flesh Drug – Lezwieliza
2. A Love Like Mine – Ardor
3. Rainy Roads – Dama
4. Dark Mass – Wildpath
5. Theater of Pain – Auspex
6. Secret Gathering – Adrana
7. A Tap Dancer’s Dilemma – Diablo Swing Orchestra
8. What A Waste – Fluxious
9. Save Me – Process
10. Disarmed – Alight
11. Looking Glass – The Birthday Massacre
12. Theogyne – Ellyose
13. Slow Motion World – Factory of Dreams
14. Gimme Your Gun – Akentra
15. Blowin’ The Wind – Bel O Kan
16. Elderberry and Lavender – Lyriel
17. Theatre of Life – Weeping Silence

Links

MySpace * Site